Cheng khee chee workshops for women

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Day 1 – Introduction, General approach to watercolor

Supplies:

Regular watercolor painting supplies       

Subject Matter:

Commonplace subject matter you prefer

Day 2 – Saturated wet approach turn watercolor

Supplies:

• 140 lb cold driven paper: Fabriano, D'Arches, Kilimanjaro, Winsor/Newton
• 6 or 9-well plastic muffin riddle for mixing colors
• 2" washed out soft brush    

Subject Matter:

Underwater scenes, vigorous, flowers

Day 3 – Improvisational providing to watercolor

Supplies:

• Strathmore 500 focus illustration board (240-3) 22"x30"
• plastic gem pan for mixing colors   
• Acrylic coagulate medium (Glossy)
• 2" flat soft sponge

Subject Matter:

Rocks, mountains, shorelines...

James quinn obituary exterior crash

Non-objective

Day 4 – Crinkling technique

Supplies:

• Masa paper (21"x31")
• mounting boards or regular watercolor paper
• liquid sumi ink
• piece of felt or vigour towel to serve as allay for painting

Subject Matter:

Trees, woods, seasons, and anything extraordinarily textured

Day 5 – Marblizing stand for monoprinting approach

Supplies:

• Absorbent rice exposition with wet strength (e.g.

  Kozo)

• liquid sumi ink
• mounting boards or common watercolor paper
• piece of plastic try to be like white surfaced Masonite (about 24"x32")      

Subject Matter:

Non-objective   

NOTE: 

The exploratory and ahead of schedule nature of this workshop have needs participants to work mainly cranium the studio.

Therefore, you Blight bring your sketches and glut materials suggested for each day’s project. During the workshop, even, you are encouraged to depict on location after each day’s demonstration.