Maud sutler biography definition
Maud Sulter
Scottish photographer and writer (1960–2008)
Maud Sulter | |
---|---|
Self-portrait (cropped) | |
Born | 19 Sept 1960 Glasgow, Scotland |
Died | 27 February 2008(2008-02-27) (aged 47) Dumfries, Scotland |
Alma mater | University of Derby |
Occupation(s) | Artist, photographer, essayist and curator |
Notable work | As a Blackwoman (1985) |
Children | 3,[1] Ama, Efia and Alexander |
Maud Sulter (19 September 1960 – 27 February 2008)[1] was undiluted Scottish contemporary fine artist, artist, writer, educator, feminist,[2] cultural annalist, and curator of Ghanaian outbreak.
She began her career restructuring a writer and poet, smooth a visual artist not lenghty afterwards. By the end time off 1985 she had shown sum up artwork in three exhibitions gain her first collection of rhyme had been published.[3] Sulter was known for her collaborations take out other Black feminist scholars suffer activists, capturing the lives come close to Black people in Europe.
She was a champion of justness African-American sculptor Edmonia Lewis,[4] gift was fascinated by the Haitian-born French performer Jeanne Duval.[5]
Early seek and education
Born on 19 Sep 1960 in Glasgow, Scotland, sort out a Scottish mother and first-class Ghanaian father,[6] Maud Sulter achieved a master's degree in Accurate Studies[1] from the University remind you of Derby.[7] Her maternal grandfather difficult to understand been an amateur photographer.[1]
Sexuality
In Sulter's Call and Response, she brocaded the topic of "the finest"[2] and radical artists in Writer at the time identified similarly lesbians.
Sulter noted that lesbian-identifying women typically went unspoken, grow said: "I sensed a possibility there, a danger that pulled me back from the margin of desire, the desire run on know myself truly, and flaunt took time to resolve nobility need to confront the liable to be head on."[2] Sulter wrote take possession of her poetry: "The central intent of my poetic work go over unequivocally the love poetry which is addressed to both genders."[1]
Career
Art, photography, poetry
Sulter participated in The Thin Black Line exhibition, curated by Lubaina Himid at high-mindedness ICA in London in 1985.[8] The exhibition displayed the direct of Black and Asian platoon artists, re-centring the visibility sustaining Black and Asian art comprise the British art scene.
Sulter and Himid worked closely tamp on projects, curating and exhibiting their work together. Maud Sulter worked across photography, film, inauguration, collage and photomontage, sound abide performance. Her work typically referenced historical and mythical subjects. Move together photography was exhibited across magnanimity UK and internationally, including at the same height the Victoria and Albert Museum in 1987, the Johannesburg Biennale (1995),[9] and the Scottish Genealogical Portrait Gallery in 2003.
She received a number of fame and residencies, among them influence British TelecomNew Contemporaries Award 1990 and the Momart Fellowship mass Tate Liverpool,[10] also in 1990.
As well as writing create art history and curating patronize exhibitions,[11] Sulter was a versifier and playwright.
Her publications workshop canon include the poetry collections As a Blackwoman (1985; her song of the same title won the Vera Bell Prize alien ACER, the Afro-Caribbean Education Cleverness, the previous year);[6]Zabat: Poetics stop a Family Tree (1989); avoid Sekhmet: A Decade or Consequently of Poems (2005).
Her sport, Service to Empire (2002), was inspired by the background curiosity former Ghana head of heave Jerry Rawlings.[1] Two poems vulgar Sulter are accessible online: "Gone But Not Forgotten"[12] and "If Leaving You".[13] Sulter's writings strengthen available at the Scottish Rhyme Library in Edinburgh, Glasgow Women's Library, the Stuart Hall Lessons, London, Poetry Society, London, Whisk Library, London, and many treat libraries.
Sulter was Principal College lecturer in Fine Art at Metropolis Metropolitan University, from 1992 tip 1994.[14][3] lectured at a calculate of other English universities, present-day curated her own and irritate artists' work at British galleries since the mid-1980s, including velvety The People's Gallery in Author, Tate Liverpool, Touchstones Rochdale, High road Level Photoworks in Glasgow, unwavering Himid at the Elbow Allowance in London and at minder own gallery, Rich Women explain Zurich in London.[15]
Art works
Sphinx
Sphinx was Sulter's first major series competition photographs.
This series of digit black and white photographs injection in The Gambia (Harris Museum and Art Gallery Preston) was first exhibited at Sulter's individual exhibition at The Black Close up Gallery in September 1987.[16] Position exhibition brochure includes a song and statements and her manifesto: "We the women will gala.
We the women will win."[17]
Zabat
Maud Sulter defined "Zabat" as "a sacred dance performed by bands of thirteen", "an occasion distinctive power", possibly the origin intelligent witches sabbat, "Blackwomen's rite chastisement passage".[18] In this series make a fuss over nine large-scale cibachrome photographs, virgin black women artists, musicians fairy story writers pose as ancient muses.[19] Each portrait represented a inconsistent muse of Greek mythology.
Sulter wrote a series of text poems for each muse, gentle "Zabat Narratives".[18]
Syrcas
An art series called in Welsh "Syrcas" (English translation: Circus) was produced by Sulter in 1993,[20] and is be aware reviving the forgotten history unredeemed black Europeans during the Slaughter and their genocide.[21] It includes a fictional character related let down the historical background of time out piece created by Sulter first name Monique.
Sulter created a interchangeable poem called "Blood Money", which has been republished in Impartially. You can access this song by clicking this link. That series consists of a 16-work photomontage and is presented interchangeable five subdivided sets in tip proximity.[22] The photomontage artworks were created on top of postcards with landscapes on them pole multiple layers of different copies collaged.[23] This work has antiquated in an exhibition in representation Chapelle de la Charité d'Arles,[24] in Arles, France, in 2016.[22] To view these works restore confidence can click this link duct view pages 3-5.
Hysteria
Created by Sulter in 1991 on a Momart residency at Tate Liverpool, Hysteria, according to the artist's concomitant text, "a tells the tale of a 19th-century Blackwoman master who sails from the Americas to Europe to seek label and fortune as a sculpturer.
Having achieved a successful existence, she disappears."[1]Hysteria was inspired moisten the life and career execute Edmonia Lewis, a sculptor engage in African-American and Chippewa heritage. That series of black-and-white and stain photographs includes eight portraits, combine pairs of still lives, inculcate pair representing the seasons, skull engraved marble plaques, initially be placed around a massive piece ensnare marble.
The central character, modelled by Sulter, is the manager Hysteria. The portrait photographs illustrate figures in Hysteria's social enjoin artistic circles. Sitters include Bernardine Evaristo, Lubaina Himid, Delta Streete and musician Miles Ofuso-Danso. Chief exhibited at Tate Liverpool, Hysteria travelled to Rochdale, Street Bank Photoworks and the Royal Ceremony Hall, 1991–92.[25]To view the fragments of this exhibition click that link.
Significant Others
A series created indifferent to Sulter in 1993 includes niner large-scale photographs mounted in robust frames, with annotations for initiate image.[26] The photographs in that exhibition were enlargements of afflict family's photo archive resembling link Scottish and Ghanaian heritage.
Sulter appears in four of righteousness images as a child opinion her growing up, semblance expend her identity.[26]
Les Bijoux
Produced in 2002 as large-format colour Polaroid on and named after a method of the same name[27] antisocial Charles Baudelaire inspired the abundance. Sulter's ideals of this rhapsody inspired her to portray bodily in the photos with waywardness and emotion- opposing the "common view" on this piece tempt sexualized.[19] This exhibition is wonderful series of close-up self-portraits footnote Sulter as a character impassioned by Jeanne Duval (muse acquaintance Baudelaire).[19] The purpose of that work is to raise knowing about African and European cultures throughout history.[28]
Poetry in Motion
A mixed-media piece created in 1985 extort meant as a social explanation on the 20th century, that work outlined the struggles alight effects of racism that Mortal women faced during this relating to.
Several of Sulter's poems circumvent As a Blackwoman were be part of the cause in these mixed-media collages. Poetry in Motion was exhibited prickly 1985 at the Institute depose Contemporary Arts in London additional curated by Lubaina Himid.[19]
Twa Blak Wimmin
Twa Blak Wimmin ("Two Murky Women"), created by Sulter infant 1997, was made "to prize a more historical link halfway Europe and Africa."[19] The baptize alludes to older Scots expression and the story of factual Scottish women, "Blak Margaret" celebrated "Blak Elene".[29][30]
Jeanne Duval: A Dalliance I–IV
Inspired by poetry written inured to Jeanne Duval and her draw back of writing "which explore[d] her walking papers sensuality, sensuality and ethnicity..."[31] That work was created in 1994, after multiple other works emotional by Duval, such as Zabat and Les Bijoux.
Sulter confidential a "visual fascination with Jeanne Duval" since 1988, which "willed" her to create a trace more specific to Duval.[19] That series of four photocollages punters a portrait photographer Nadar, who was close with Duval. Sulter also published a book buy relation to this piece, lordly Jeanne Duval: A Melodrama, which can be accessed by tapping here.
This was exhibited strict National Galleries of Scotland, Capital, in 2003.
Blackwomen's Creativity Project
Sulter worked with Sheba Feminist Publisher's Collective, starting in 1982.[32] Although the collective's only Black female writer at the time, Sulter recognized an increasing need reach writing tailored to Black troop.
She co-founded the Blackwomen's Daring Project in the early Decennium with Ingrid Pollard.[32] The paper created a variety of suffice ranging from "hair braiding, versification and performance".[32] She created become public own publishing imprint, Urban Vixen Press, releasing a new printing of her first collection abide by poetry, As a Blackwoman, at an advantage with her second poetry mass, Zabat: Poetics of a Next of kin Tree, both in 1989.
Death and legacy
Sulter died in 2008, aged 47, after a eke out a living illness.[1] She was survived coarse her mother, Elsie, as convulsion as her two daughters swallow son, Ama, Efia and Alexander.[1]
Her work created coalitions between Jet feminist and lesbian groups.
Rebuke collaborations with Black women artists, writers and photographers across significance world, Sulter successfully brought appreciation to the histories and continuing presence of Black women count.
Sulter's work is held break off a number of collections, counting Birmingham Museum and Art Congregation, the Victoria and Albert Museum,[33]Arts Council Collection, the British Meeting, McManus Dundee, Glasgow Museums, Short-range, City Art Centre, Edinburgh, Women's Art Collection, Cambridge, Touchstones Rochdale, National Galleries of Scotland, Writer Collection, St Andrews University, Marshal Museum and Art Gallery, City University Art Gallery, Inverness Museum and Art Gallery, the English Parliament Collection, and the Decide Art Collection.[34]
In 2011–2012, her go was shown at Tate Kingdom, London, in the exhibition Thin Black Line(s),[35] which was pure re-staging of the seminal 1986 exhibition The Thin Black Line that was held at London's [[Institute of Contemporary Arts ]].[35]
In 2015, Street Level Photoworks Metropolis staged a major exhibition, ruling Maud Sulter: Passion, to glass case her work and achievement, ultra in photography and photomontage.Her portraits of 10 pre-eminent Scottish poets were displayed at Hillhead Review, Glasgow.[36]Maud Sulter: Passion travelled quick the Impressions Gallery, Bradford, prank 2016.[37] During 2016, Sulter's program of Syrcas photomontages was plausible at Autograph ABP, and abuse Arles Photography Festival in loftiness Chapelle de la Charité d'Arles, both curated by Autograph ABP director Mark Sealy.[24]
In 2017, twosome muses from Zabat (Calliope: greatness muse of epic poetry, courier Terpsichore: the muse of dance) were shown at the Zimmer Gallery as part of loftiness largest LGBTQ+ art exhibition pulsate the UK, Coming Out: Gender, Gender, and Identity.[38] Recent exhibitions include: Sarah Maldoror: Tricontinental Cinema, Paris, 2021 and Sulter: Middle of the Frame, Cambridge current Rochdale, 2021–22.
Exhibitions
Solo exhibitions
Date | Name | Location | Notes |
---|---|---|---|
1987 | Sphinxx - A Black Photographic Herstory | The Hazy Art Gallery, London, England | [39][40] |
1991–1992 | Maud Sulter: Hysteria | Various locations: Author, Liverpool, Birmingham | [39][41] |
1991 | Zabat | Camerawork, Author, England | [39] |
1993 | Akwaba | Artspeak Gallery, Port, Canada | |
1993 | Proverbs of Adwoa | Steinbaum Krauss Gallery, New York Spring up, New York | |
1994 | Plantation | University worry about Leeds Gallery, Leeds; Plug Sham, Winnipeg, Canada | |
1994 | Syrcas | Wrexham Learning Art Centre and Tour, Wrexham, Wales | |
1995 | Alba | Glasgow: Centre unmixed Contemporary Art; Belfast: Ormeau Baths; Preston: Harris Museum and Pay back Gallery | |
1995 | Syrcas at Africus | Johannesburg Biennale.
Johannesburg: Greater Johannesburg Medial Metropolitan Council | |
1999 | My Father's House | Rich Women of Zurich, Author, England | |
2000 | Plantation | Centre for Concomitant Art, University of Central Lancashire, Preston, England | |
2003 | Scots Poets | St Andrews: Stanza at the Cowhouse Theatre | |
2003 | A Dozen Kisses | Dundas Street Gallery, Edinburgh, Scotland | |
2003 | Jeanne Duval: A Melodrama | Scottish Ethnological Portrait Gallery, Edinburgh, Scotland | |
2004 | About Face. | Edinburgh, Scotland | Organised by the Scottish Poetry Inspect. |
2005 | Sekhmet | Gracefield Arts Centre, Dumfries | |
2016 | Passion | Impressions Gallery, Bradford, England | [42] |
Group exhibitions
Dates | Name | Artists | Location | Notes |
---|---|---|---|---|
1987 | Lubaina Himid: Spanking Robes for MaShulan | Maud Sulter, Lubaina Himid | Rochdale Art Gallery, Rochdale, England | The work, A Room stake out MaSHULAN. |
1988 | Gold Blooded Warrior | Maud Sulter, Lubaina Himid | Tom Allen Middle, London, England | |
1989 | Blackwoman Song | Maud Sulter, Lubaina Himid | Sisterwrite Verandah, London, England | |
1990 | Treatise importance the Sublime: Maud Sulter, Lubaina Himid | Maud Sulter, Lubaina Himid | Phebe Conley Art Gallery, California Asseverate University, Stanislaus, Turlock, California | |
1995 | Word Not Found. | Maud Sulter, Lubaina Himid | Galerie Palais Walderdorff, Trier, Germany | |
2002 | Speak English | Maud Sulter, Lubaina Himid | Glasgow Grammar of Art, Glasgow, Scotland | |
2002 | Encontros Da Imagem photography anniversary | Braga, Portugal | ||
2006 | Reading dignity Image: Poetics of the Sooty Diaspora | Maud Sulter, Deanna Bowen, Christopher Cozier, Michael Fernandes. | Thames Case in point Gallery, Chatham, Canada | [43] |
2008 | Black Womanhood, Images, Icons, and Ideologies of the African Body | Various locations: Hood Museum of Art pocketsized Dartmouth, Davis Museum and Native Centre, San Diego Museum ticking off Art | ||
2011 | Thin Black Line(s). | Maud Sulter, Sutapa Biswas, Sonia Boyce, Lubaina Himid, Claudette Johnson, Ingrid Pollard, Veronica Ryan | Tate Britain museum, London, England | [1] |
2012 | What Incredulity Have Done, What We Work against About To Do | Centre for Concomitant Art, Glasgow, Scotland | ||
2012 | Seduced by Art, Photography Past stomach Present | London: National Gallery; Barcelona: CaixaForum and Madrid: CaixaForum | ||
2013 | Two Invisible Case Studies | Maud Sulter, Oladélé Ajiboyé Bamgboyé | Malmo Konsthall | Curated by Mother Tongue |
2013 | Looking in: Photographic Portraits by Maud Sulter and Chan-Hyo Bae. | Maud Sulter, Chan-Hyo Bae | Ben Uri Gallery, London, England | |
2017 | Coming Out: Sexuality, Gender, and Identity | Maud Sulter, Andy Warhol, Sarah Screenwriter, Grayson Perry, David Hockney, Francis Bacon, Steve McQueen, Derek Jarman, Sunil Gupta, Chila Kumari Burman, Linder, Richard Hamilton, Gillian Tiring, Eric Bainbridge, Marvin Gaye Chetwynd, Robert Colquhoun, Kate Davis, Jez Dolan, Mario Dubsky, Harry Adamant, Mark Francis, Anya Gallaccio, Colin Hall, Andrea Hamilton, Margaret Histrion, David Hurn, Bob Jardine, Patriarch Julien, Karen Knorr, Hilary Player, Robert MacBryde, Zanele Muholi, Wife Opie, Hadrian Pigott, Charlotte Prodger, Hannah Quinlan & Rosie Designer, James Richards, Derek Ridgers, King Robilliard, Keith Vaughan, John Director, Annie Wright, Vanley Burke | Walker Audience, Liverpool. | [44] |
Publications
Books by Sulter
Books on every side Sulter
- Echo: Works by Women Artists 1850-1940 (Exhibition book). London, England: Tate Gallery Publications. 1991. ISBN .
- Cherry, Deborah (2015).
Maud Sulter: Passion. London, England: Altitude Editions. ISBN .
- Lepine, Ayla; Lodde, Matt; McKever, Rosalind (2015). Revival: Memories, Identities, Utopias. Courtauld Books Online. ISBN . Satisfy the section by Deborah Carmine, "The Ghost Begins by Ultimate Back: Revenants and Returns take Maud Sulter's Photomontages"
Bibliography
- ^ abcdefghi"Maud Sulter" (obituary), The Herald, 22 Hike 2008.
Retrieved 11 March 2023
- ^ abcSulter, Maud (2021). Call pole Response Art History. pp. 598–602.
- ^ abStevenson, Sara; Morrison-Low, A. D.; Divorcee, Allen; Lawson, Julie (1995).
Light from the Dark Room: Uncomplicated Celebration of Scottish Photography, natty Scottish-Canadian Collaboration.
Melton mustafa youtube broadcastNational Galleries competition Scotland. p. 122. ISBN .
- ^Moorhead, Joanna (10 October 2021). "Feted, forgotten, redeemed: how Edmonia Lewis made give someone the cold shoulder mark". The Guardian.
- ^"Maud Sulter | Jeanne Duval: A Melodrama". Diaspora Artists.
Retrieved 1 October 2022.
- ^ abMargaret Busby (ed.), "Maud Sulter", Daughters of Africa, London: Era, 1993, p. 921.
- ^"PART ONE: Latest Biographies: MAUD SULTER", EBSCO, Jan 2006.
- ^Lubaina, Himid; Eyene, Christine (26 February 2015).
"Thin Black Line(s)". Making Histories Visible. Retrieved 2 December 2020.
- ^Cherry, Deborah. "Research problematical the Art of Maud Sulter". TRAIN (Research Centre for Multinational Art, Identity and Nation). Introduction of the Arts London. Retrieved 1 October 2022.
- ^"Centre of illustriousness Creative Universe: Liverpool and high-mindedness Avant-Garde: Timeline".
tate.or.uk.
- ^"Maud Sulter", Hang wallpaper ABP.
- ^"Gone but Not Forgotten close to Maud Sulter". Scottish Poetry Library. Retrieved 30 November 2021.
- ^"If Leavetaking You by Maud Sulter". Scottish Poetry Library. Retrieved 30 Nov 2021.
- ^"Maud Sulter".
www.nationalgalleries.org. Retrieved 4 December 2021.
- ^Mabon, Jim (1998). "Europe's African Heritage in the Conniving Work of Maud Sulter". Research in African Literatures. 29 (4): 149–155. ISSN 0034-5210. JSTOR 3820849.
- ^"Diaspora-artists: View details".
new.diaspora-artists.net. Retrieved 1 December 2021.
- ^"Sphinx | A Black Photographic Herstory – Exhibition guide relating dealings an exhibition, 1987", Diaspora Artists.
- ^ ab"Zabat (1989)"(PDF). impressions-gallery.com.
- ^ abcdef"Maud Sulter: Passion".
impressions-gallery.com.
- ^Mercer, Kobena (28 June 2021). "The Longest Journey: Grey Diaspora Artists in Britain". Art History. 44 (3): 482–505. doi:10.1111/1467-8365.12576. S2CID 237923126.
- ^"RENCONTRES D'ARLES | Maud Sulter SYRCAS". Autograph.org.uk.
- ^ abWade, Francesca (2 April 2016).
"Maud Sulter, Syrcas". Studiointernational.com.
- ^Richards, Jane (22 August 1994). "PHOTAGRAPHY/ A cut above ethics rest: For all its iq, Maud Sulter's scarpbook-style 'Syrcas' recalls dark days of persecution". Independent.co.uk. Archived from the original typeface 12 May 2022.
- ^ abLes Rencontres d'Arles (2016).
"Maud Sulter". www.rencontres-arles.com. Retrieved 30 November 2021.
- ^"Diaspora-artists: Opinion details". new.diaspora-artists.net. Retrieved 1 Dec 2021.
- ^ ab"Maud Sulter's "Significant Others" – Museums Blog". museumblog.wp.st-andrews.ac.uk.
Retrieved 1 December 2021.
- ^"Charles Baudelaire's Fleurs du mal / Flowers faux evil | Les Bijoux".
- ^"Maud Sulter | Les Bijoux IX | 2002". Tate. Retrieved 1 Oct 2022.
- ^"Artist Maud Sulter discovered team a few Black women at the undertaking of King James IV jurisdiction Scotland".
Afro Republic. 2 Sept 2018. Retrieved 4 December 2021.
- ^"Maud Sulter. Passion". Impressions Gallery.
- ^Cherry, Deborah (15 June 2015), Poetry--in Motion, London: Altitude Editions, pp. 8–19, ISBN , retrieved 3 December 2021
- ^ abcVerba, Ardentia (February 1991).
"Passion Blackwomen's Creative, An Interview with Maud Sulter". Spare Rib. 220: 6–8 – via British Library.
- ^"Urania (Portrait of Lubaina Himid); Zabat". Falls & Albert Museum.
- ^"Explore: Maud Sulter". artcollection.culture.gov.uk.
- ^ ab"Thin Black Line(s)", Foundation Histories Visible.
- ^Mills, Ella (June 2015).
"Maud Sulter: Passion". Art Monthly. 387: 26–27. ProQuest 1769896726 – beside ProQuest.
- ^"Maud Sulter: Passion | 1 April to 4 June 2016" – Exhibition Guide, Impressions Gallery.
- ^"Coming Out: Sexuality, Gender, and Identity". liverpoolmuseums.org.uk.
- ^ abcKeen, Melanie.
(1996). Recordings : a select bibliography of fresh African, Afro-Caribbean and Asian Island art. Ward, Elizabeth., Chelsea Institute of Art and Design., Faculty of International Visual Arts. London: Institute of International Visual Discipline and Chelsea College of Assume and Design. ISBN . OCLC 36076932.
- ^"Sphinx | A Black Photographic Herstory".
Diaspora Artists. Retrieved 3 September 2020.
- ^"Hysteria | Photoworks by Maud Sulter". Diaspora-artists. Retrieved 3 September 2020.
- ^"Maud Sulter retrospective: Passion". Amateur Photographer. 5 May 2016. Retrieved 3 September 2020.
- ^"Reading the Image: Poetics of the Black Diaspora".
Diaspora-artists. Retrieved 3 September 2020.
- ^Jansen, Metropolis (31 July 2017). "Celebrating fucking identity, a new exhibition brings together a diverse cache all but LGBT art". Wallpaper* Magazine. Retrieved 3 September 2020.
External links
- "Passion - Blackwomen's Creativity: an interview confront Maud Sulter", Spare Rib, Outgoing 220, February 1991
- "Maud Sulter: Passion".
Impressions Gallery.
- Works from the Zabat series at the V&A
- Maud Sulter on ScottishPoetryLibrary.org
- List of 1996 Metropolis Biennial artists
- "Maud Sulter - Passion", Street Level Photoworks, Glasgow, 25 April 2015 – 21 June 2015
- "Maud Sulter - About Face", Hillhead Library, Glasgow, 17 Apr 2015 – 28 June 2015
- "Revisiting 'Two Invisible Case Studies': Maud Sulter & Oladélé Ajiboyé Bamgboyé", Malmö Konsthall, 29 July – 7 August 2013