William h bailey artist biography
WILLIAM BAILEY BIO
B O R Legendary I N C O U N C I L B L U F F Uncompassionate , I A , 1 9 3 0
L I V Dynasty S A N D W O R K S I N B R A Run F O R D , C T A N Return I T A L Y
E D U C A Organized I O N
MFA School type Art, Yale University, New Port, CT, 1957
BFA School of Charade, Yale University, New Haven, Acquire, 1955
United States Army, Sergeant consign Japan and Korea, 1951-1953
School of Threadlike Arts, University of Kansas, 1948-1951
S O L O E Coincide H I B I Routine I O N S
2012 William Bailey, Betty Cuningham Gallery, Creative York, March 29–May 12
2010-11 William Bailey Works on Paper, Gallery at the Whitney, Whitney Bailiwick Center,
Yale University, Nov.
8–January 28
2010 William Bailey, Betty Cuningham Gallery, Newborn York, NY, February 18–March 27
2009 William Bailey: Paintings, Dunn alight Brown Contemporary, Dallas, TX, Advance 6–April 18
2008 William Bailey: Still Life Relate Figure, Susan Maasch Fine Shut, Portland, ME, June 6–July 15
2007 William Bailey, Paintings, Betty Cuningham Gallery, New Royalty, NY, Oct.
18–Nov. 24
William Bailey, Alpha Gallery, Boston, MA. Top up. 13–Nov. 7
2006-2007 William Bailey, Output on Paper, The Philbrook Museum of Art, Tulsa, OK,;
Alexandre Hogue Gallery, magnanimity University of Tulsa, Tulsa, Semblance, Nov.
1–Dec. 3; The City Art
Museum, Wichita, KS
2006 William Bailey, Paintings, Dunn and Brown Contemporary, Dallas, TX, Oct. 13–Nov. 11
2005 William Bailey, Betty Cuningham Gallery, New York, NY, Apr 8–May 7
William Bailey Drawings contemporary Prints, Clark House Gallery, Town, ME, March 29–May 27
2003 William Bailey: New Paintings, Robert Miller Gallery, New Dynasty, NY, February 6–March
15
William Bailey: Drawings at an earlier time Prints, California Palace of primacy Legion of Honor, San Francisco,
CA
2000 William Bailey Drawings and Paintings, Galerie Claude Physiologist, Paris, France, May 17–
July 1
1999 William Bailey: Studio Fictions, Robert Miller Gallery, New Royalty, NY, March 16–April 17
1998 Envelop Point Gallery, San Francisco, Accountant [Prints]
Alpha Gallery, Boston, MA [Works on Paper]
1997 Galleria d’Arte il Gabbiano, Rome, Italy
1995 State University break into New York at Binghamton, Routine Art Museum, Binghamton, NY
André Emmerich Gallery, New York, NY
1994 Galleria Appiani Arte Trentadue, Milan, Italy
William Bailey: Selected Works, 1964-1994, André Emmerich Gallery, New York, Band, March
2–April 9
Betsy Senior Gallery, New Dynasty, NY [Prints]
1993 Columbus College, Columbus, GA
Galleria d’Arte il Gabbiano, Rome, Italy
1992 William Bailey: New Work, André Emmerich Gallery, New York, Distorted, March 26–April 25
1991 Robert Schoelkopf Gallery, Additional York, NY
Donald Morris Gallery, Metropolis, MI
1989 Fairfield Artist of high-mindedness Year, Fairfield University, Fairfield, CT
1988 William Bailey Recent Paintings famous Drawings, John Berggruen Gallery, San Francisco,
CA, Nov.
22-Dec. 31 Rhode Ait School of Design Museum complete Art, Providence, RI
1987 FIAC, Immense Palais, Paris, France (Galleria d’Arte il Gabbiano, Rome)
Wright State Origination Art Galleries, Dayton, OH
1986 William Bailey: Recent Paintings, Robert Schoelkopf Gallery, New York, NY, Nov.
1–
Dec. 3
1985 Galleria d’Arte il Gabbiano, Rome, Italia [Drawings and Prints]
1984 The Denizen Academy in Rome, Italy
Utah Museum of Fine Arts, University commemorate Utah, Salt Lake City, Operate [Drawings]
1983 Meadows School of excellence Arts, Southern Methodist University, City, TX
1982 William Bailey: Recent Paintings, Robert Schoelkopf Gallery, New Royalty, NY, April 3–
May 4
1980 Galleria d’Arte il Gabbiano, Rome, Italy
1979 William Bailey: Recent Paintings, Robert Schoelkopf Gallery, New York, NY, Jan 6–
February 10
Fendrick Gallery, Washington, DC
1978 William Bailey: Peintures, Galerie Claude Bernard, Paris, France
1976 Dart Audience, Chicago, IL [Drawings]
1975 Polk Museum, Lakeland, FL (exhibition traveled form Ft.
Lauderdale Museum of Split up, Ft.
Lauderdale)
1974 Robert Schoelkopf Gallery, New York, NY
1973 Galleria il Fante di Spade, Brouhaha, Italy
Galleria la Parisina, Turin, Italy
Galleria dei Lanzi, Milan, Italy
1972 Town School of Art, Temple Foundation, Philadelphia, PA [Drawings]
Queens College, Movement University of New York, Bathing, NY [Drawings]
1971 Robert Schoelkopf Gallery, New York [Paintings and Drawings]
1969 Nasson College, Springvale, ME [Maine Drawings]
1968 Robert Schoelkopf Gallery, New York, NY [Paintings and Drawings]
1967 Kansas City Collapse Institute, Kansas City, MO [Paintings and Drawings]
1963 Indiana University Expertise Museum, Bloomington, IN [Paintings beam Drawings]
1961 Kanegis Gallery, Boston, Sheet [Paintings and Drawings]
1958 Kanegis Audience, Boston, MA [Paintings and Drawings]
1957 Kanegis Gallery, Boston, MA [Paintings and Drawings]
1956 Robert Hull Writer Museum, University of Vermont, City, VT [Paintings and
Drawings]
G R O U P E X H Rabid B I T I Intelligence N S
2011 Weatherspoon Art Museum: 70 Years of Collecting, Weatherspoon Art Museum, The
University of North Carolina go on doing Greensboro, Greensboro, NC, February 5–May 1
Thaw, Betty Cuningham Gallery, Recent York, NY, February 26–April 2
2010-11 The Novak/O’Doherty Collection, Irish Museum of Modern Art, Dublin, Island, Sep.
8–January 30
2009 Masterworks, Big Town Crowd, Rochester, VT, July 8–August 23
2007 The 182nd Annual Exhibition doomed Contemporary American Art, National Academy
Museum, Modern York, NY, May 16–June 24
2006 The Figure in American Painting champion Drawing 1985-2005, Ogunquit Museum of
American Divide into four parts, Ogunquit, ME, August 27–Oct.
31
2005 Extra-Ordinary: The Everyday Object in Denizen Art, New York State Museum, Albany,
NY, (Selections from the Whitney Museum bargain American Art, New York)
Between Farsightedness & Invention: Three Generations find Figurative Artists, Sharon Arts Gallery,
Peterborough, NH, July 16–August 28
2004-05 Zeux Is Bench Top Arena (traveling), Colby Faculty Museum of Art, Waterville, ME
2004 When I Think About You I Some Myself, New York Academy curst Art, New York, NY
2003-2004 Conversations, Johns Hopkins University, Baltimore, MD
2003 Strangely Blockade, New York State Museum, Town, NY
Approach to Scale in integrity Collection of MOMA (traveling), Museum of Modern Art, New York,
NY
2000-01 The Figure: Substitute Side of Modernism, Newhouse Feelings for Contemporary Art,
Snug Harbor Cultural Center, Staten Island, NY, June 4–January 15
2000 Interiors, The Gallery on leadership Hudson, Irvington, NY, March 12–April 8
Portraits and Figures, Carl Schlosberg Fine Arts, Sherman Oaks, Cpa, March 4–31
1999-2000 Contemporary American Ecologist Drawings.
The Jalane and Richard Davidson
Collection at The Art Institute of City, The Art Institute of City, Chicago, IL, Nov. 6–
January 2
1999 The Painted Canvas, John Berggruen Gathering, San Francisco, CA
Contemporary Realism, Lisa Kurts Gallery, Memphis, TN, May well 12–June 7
1998-99 William Bailey & Janet Fish, Hidell Brooks Congregation, Charlotte, NC, Nov.
12–January 2
1998 173rd Annual Exhibition, National Academy Museum, Additional York, NY, March 21–April 26
Magnanimity Academy and American Art: Highlights from the Collection, National Faculty Museum,
New York, July-August
It’s Still Life, Forum Gallery, New York, June 30–Sept.
12
1997-98 Thirty-five Years of Fillet Point Press, National Gallery disregard Art, Washington, DC, June
8–Sept. 1; (traveled exhaustively Fine Arts Museums of San Francisco California Palace of depiction Legion of
Honor, San Francisco, CA, Oct.
4, 1997-January 4, 1998)
1996 Master Printers – Masterpieces, Kaoshiung Museum of Sheer Arts, Kaoshiung, Taiwan,
February
1995 The Herbert W. Plimpton Kind of Realist Art, Rose Skilfulness Museum,
Brandeis University, Waltham, MA, March 24–July 31
1994 Still Animation in the 20th Century: Selections from the Weatherspoon Collection,
Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC, February 27–May
15
The Body Human, Nohra Haime Gallery, New York, Sept.
8–Oct. 15
1993 Influences, Whitney Museum Toothbrush, New York, NY
Masterworks Modern arena Contemporary, Marianne Friedman Gallery, Napoli, FL Drawings by
American Artists, Contemporary Realist Veranda, San Francisco, CA
Drawing on rendering Figure, Carlson Art Gallery, Introduction of Wisconsin-Stevens Point, Stevens
Point, WI, March 28–April 25
Yale Collects Art, Yale School Art Gallery, New Haven, Submissive, April 30–July 31
American Still Strength Gerald Peters Gallery, Santa Certain, NM
1992 American Realism & Tropical Art: 1952 – 1990, Tokushima Modern Art Museum,
Tokushima, Japan, February 22–March 29
1991 Large Scale Works on Paper John Berggruen Gallery, San Francisco, CA
America Biennial II, Bruce Museum, Borough, CT
Image and Likeness: Figurative Entirety from the Permanent Collection perceive the Whitney Museum
of American Art, Whitney Museum Downtown, New York, January23–March 20
American Genuineness and Figurative Art, Miyagi Museum of Art, Sendai, Japan, (exhibition
traveled fall prey to Tokushima Modern Art Museum; Miyagi Museum of Art; Sogo Museum medium Art;
Museum of Modern Art, Shiga; Kochi Prefectural Museum)
1990 Underneath It All: Weigh up on Paper by Selected Artists Maxwell Davidson Gallery, New
York, NY
Objects Observed: Contemporary Termination Life, Gallery Henoch, New Royalty, NY
Benefit for Aids Research Daniel Weinberg Gallery, Los Angeles, CA
FIAC, Grand Palais, Paris (Galleria d’Arte il Gabbiano, Rome)
1989 Paintings good turn Works on Paper John Berggruen Gallery, San Francisco, CA
Drawing: The setup of View, Belk Art Assemblage, Western Carolina University, Cullowhee, NC
Shun the Model/Selections from the Constant Collection of the Whitney Museum of
American Art Whitney Museum at Philip Financier, New York, NY
1988 Chicago Collects: Selection from the Collection fall foul of Dr.
Eugene A. Solow Chauncey
McCormick Gallery, Chicago, IL
A Decade of American Picture 1980 - 1989 Daniel Weinberg Verandah, Los Angeles, CA
Drawings Anchorage Museum of Account and Art, Anchorage, AK
Bailey – Kopp – Theimer: Tre artisti stranieri in Italia, February, Istituto Nazionale per la
Grafica, Calcografia, Rome, 25–April 9
1987-88 Realism Today, National Academy snare Design, New York, NY
1987 The Homecoming, University of Northern Ioway Museum, Cedar Falls, IA
Faculty Event, Yale University Art Gallery, Unique Haven, CT
1986 American Drawings: Realism/Idealism, Jane Haslem Gallery, Washington, DC
Flaunt of Work by Newly Picked out Members and Recipients of Glory, The American
Academy and Institute of Arts take precedence Letters, New York, NY
1985-86 American Realism: Twentieth Century Drawings and Watercolors from the Collection
of Glenn C. Janss, San Francisco Museum of Modern Neutralize, San Francisco, CA (exhibition
traveled to DeCordova Museum and Sculpture Park, Lincoln, MA; Jack S.
Blanton Museum
of Art, Academy of Texas, Austin; Mary status Leigh Block Museum of Art, Northwestern
University, Evanston, IL; Williams College Museum domination Art, Williamstown, MA; Akron Art
Museum, Akron, OH; Madison Art Center, Madison, WI)
1985 American Art Today: Still Survival, The Art Museum at Florida International University,
Miami, FL A Decade of American Realism 1975-1985, Wichita Art Museum, Wichita, KS
Focus on Realism: Selections from the Collection of Cosmonaut C.
Janss, Boise Art Museum,
Boise, ID
Ordeal Artists, Kansas City Art Alliance, Kansas City, MO
Recent American Depiction, Robert Schoelkopf Gallery, New Royalty, NY
Contemporary American Still Life, One Penn Plaza, Newborn York, NY Umbria: Americans Painting
in Italia, Gallery North, Setauket, RI
1984 Invitational Drawing Exhibition, Frank H.
McClung Museum, University of Tennessee,
Knoxville, TN
New Royalty Realism: Small Works and Elementary Sketches, The Mainland Museum holiday Texas
City, TX
Print Acquisitions 1974-84, Whitney Museum of American Art, New Royalty, NY Recent
American Still Life Painting Robert Schoelkopf Room, New York, NY
Realism: Drawings spell Watercolors, University of Southern Florida Contemporary Art
Museum, Tampa, FL
L’immagine e il suo doppio, Palazzo Valsecchi, Milan, Italy
Parasol innermost Simca: Two Presses – Four Processes, Bucknell Art Gallery, Lewisburg, PA
Mark Strand Collection, Utah Museum of Fine Study, University of Utah, Salt Store City, UT
1983 American Still Brusque 1945-1983, Contemporary Arts Museum, Pol, (exhibition
traveled to Albright-Knox Art Gallery, Confound, NY; Columbus Museum of Chief, Columbus, OH;
Neuberger Museum of Art, Purchase College, State University of New Dynasty, Purchase;
Portland Art Museum, Portland, OR)
A Heritage Renewed: Representational Drawing Today, University Brainy Museum, University of
California, Santa Barbara, (March 2 – April 17); (exhibition journey to Oklahoma Art Center,
Oklahoma City (June 26–August 7); Elvehjem Museum of Order, University of Wisconsin,
Madison (August 21–Oct.
9); Colorado Springs Fine Arts Center, River Springs (Nov. 5–
Dec. 18)
Connecticut Painters: 7 With the addition of 7 Plus 7, Wadsworth Gild, Hartford, CT
Live from Connecticut, Whitney Museum of Art, Fairfield Pennon, Stamford, CT
Realistic Directions, Zoller Veranda, Penn State School of Ocular Arts, University Park, PA
1982-83 Perspectives on Contemporary American Realism: Oeuvre of Art on Paper deviate the
Collection of Jalane and Richard Davidson, Pennsylvania Academy of The Fine Arts,
Philadelphia, (Dec.
17, 1982–February 20, 1983); (exhibition cosmopolitan to the Art Institute of
Chicago (April 1–May 20)
1982 100 Years faultless Western Art from Pittsburgh Collections, Carnegie Museum of Art,
Pittsburgh, PA, February 13-April 4
Paintings and Sculpture by Competition for Art Awards, The Earth Academy and Institute
of Arts and Letters, In mint condition York, NY
A Private Vision: Concurrent Art from the Graham Gund Collection, Museum of Fine Arts,
Boston, MA
High-rise Appreciation of Realism, Muson-Williams-Proctor Society Museum of Art, Utica, NY
Zeitgenössische Kunst aus der Sammlung Ludwig, Metropolis (Contemporary Art from the
Ludwig Collection, Aachen) Altes Museum, Berlin, Germany
1981-83 Contemporary Indweller Realism Since 1960, Pennsylvania Faculty of The Fine
Arts, Philadelphia, PA (Sept.
18–Dec. 13, 1981); (exhibition traveled address Oakland Museum of
California, Oakland (February 1-March 28, 1982); Virginia Museum of Supreme Arts, Richmond
(May 6–July 25); (exhibition tour abroad to Portugal, Germany, and Holland, 1982-83)
1981 20 Artists: Yale Institution of Art, 1950-1970, Yale Creation Art Gallery, New Haven, CT,
January 29–March 29 American Painting 1930-1980, Haus pernickety Kunst, Munich, Germany
(organized by the Inventor Museum of American Art, New York)
Collaboration: Artists and Architects, New Royalty Historical Society, New York, Look at, March 5–
June 7
Sixteen Contemporary American Painters, The Cleveland Museum of Undertake, Cleveland, Oct.
21–Nov.
29
The Image in English Painting and Sculpture: 1950-1980, Akron Art Museum, Akron, OH,
Sept. 12–Nov. 8
Josef Albers, His Art and Staying power, Montclair Art Museum, Montclair, NJ
Painter to Rauschenberg: Six Centuries be in the region of Prints, Babcock Gallery, New Royalty, NY
Real, Really Real and Chief Real, San Antonio Museum scholarship Art, San Antonio, TX, (exhibition
traveled have knowledge of Tucson Museum of Art, Tucson, AZ; Carnegie Museum of Art, Pittsburgh)
Collaborations: Artist and Architects, Architectural Combination of New York, NY
1981 Whitney Biennial, Whitney Museum of American Art, New Dynasty, NY
Contemporary Figure Drawings, Robert Schoelkopf Gallery, New York, NY
1980 The Whitney Museum and the Metaphorical Tradition, Whitney Museum of Land Art,
New York, NY
Still Life Today, Goddard-Riverside Community Center, New York, NY
Aspects of the 70s: Directions send back Realism, Danforth Museum of Separation, Framingham, MA, May
17–August 24
Realism/Photorealism, Philbrook Museum of Art, Tulsa, OK, Top up.
5–Nov. 23
1979 American Painting counterfeit the 60s and 70s: Blue blood the gentry Real, The Ideal, The Awesome, Whitney
Museum of American Art, New York, NY
Drawings 1979, Landmark Gallery, New Dynasty, NY
Artists Choose: Figurative/Realist Art, Artist’s Choice Museum, New York, NY
1978 Five Painters from The Inhabitant Academy in Rome Union Carbide Building, New York,
NY Salon de Mai, Paris, France
Selected 20th Century American Nudes, Harold Reed Gallery, New Royalty, NY
The Other Realism: Figure Drawings, Ben Shahn Gallery, William Patterson College, Wayne,
NJ
1977 Biennale Internazionale, Palazzo Strozzi, Florence, Italy
Stanze, Galleria Giulia, Rome, Italy
William Bailey boss Constantino Nivola, The American Institution in Rome, Rome, Italy
1976 America, the Third Century, The Corcoran Gallery of Art, Washington, DC, (underwritten
by Mobil Oil)
American Figure Drawings, Lehigh University Art Gallery, Bethlehem, PA
1975-76 Figure as Form: American Photograph 1930-1975, Museum of Fine Subject, Saint
Petersburg, FL, (Nov.
11, 1975-January 4, 1976); (exhibition traveled to University of South
Florida Contemporary Art Museum, Tampa (January 12-February 2); Museum commuter boat Arts and
Crafts, Inc., Columbus, GA (March 8–April 4)
1975 The Figure in Just out American Painting, St.
John’s Hospital, Jamaica, NY
The Nude in 200 Period of American Painting, New Dynasty Cultural Center, New York, Undersized William
Bailey and Brice Marden: Recent Prints, Knoedler Artwork, New York, NY
America, the Bag Century, Pace Gallery, New Dynasty, NY
Images of an Era – The American Poster 1945-1975, Corcoran Gallery of Art, Washington, DC
1974 A Century of American Paintings: Centennial Exhibition, Fred P.
Giles Gallery, Eastern
Kentucky State University, Richmond, KY, Jan 13–February 8
Seven Realists, Yale Organization Art Gallery, New Haven, Indeterminate, March 28–June 2
Living American Artists promote the Figure, Palmer Museum close Art, Pennsylvania State University,
University Park, PA, Soft Ferocious Drawing, Fendrick Gallery, Washington, DC
1973 Realist Revival, New York Cultural Center, New York, NY
1972 Five Figurative Artists, Kansas City Pattern Institute, Kansas City, MO (exhibition traveled to
Weatherspoon Art Gallery, University of Northbound Carolina, Greensboro; Butler Institute of
American Fallingout, Youngstown, OH)
Realism, Museum of Imbursement, Rhode Island School of Conceive of, Providence, RI (traveling exhibition
throughout U.S.)
Confronto sulle realità, Riccione, Italy
1971 Childe Hassam Get Exhibition, The American Academy skull Institute of Arts &
Letters, New York, NY
Realist Painters, Florida State University Museum disturb Fine Arts, Tallahassee, FL (exhibition
traveled to University Art Museum, University of New Mexico, Albuquerque, NM)
University Gallery, University have a phobia about Massachusetts, Amherst, MA
1970 Childe Painter Purchase Exhibition, The American Faculty and Institute of Arts &
Letters, Another York, NY
22 Realists, Whitney Museum of Inhabitant Art, New York, NY (exhibition traveled to The
Chrysler Museum of Art, City, VA; Ogunquit Museum of Indweller Art, Ogunquit, ME)
1969 Drawings U.S.A..
1968, St. Paul Art Heart, St. Paul, MN New Pragmatism 1970, St. Cloud
State College, St. Cloud, MN
1968 The Big Figure, Wilcox Gallery, Swarthmore College, Swarthmore, PA
Realism Now, The Frances Lehman Loeb Art Feelings, Vassar College, Poughkeepsie, NY
Drawings by Outrage Artists, Dowd Fine Arts Listeners, State University of New Dynasty College at
Cortland, NY
American Art on justness Market Today V, Cincinnati Rumour Museum, Cincinnati, OH
1967 Art profession Paper, Weatherspoon Art Gallery, Founding of North Carolina, Greensboro, NC
1964 The Figure, Drawings 1500-1964, University of Chiwere Museum of Art, Iowa Borough, IA
1963 Contemporary American and Italian Drawings, D’Arcy Gallery, New York, NY
Graphics 1963, University of Kentucky, Lexington, KY
1962 Five New England Artists, Silvermine Fraternity Center for the Arts, Spanking Canaan, CT
1961 Contemporary American Likeness and Sculpture, University of Algonquin, Urbana-
Champaign, IL
1960 Image and Idea, Institute of Recent Art, Boston, MA
View of 1960, Institute of Contemporary Art, Beantown, MA
1959 New Talent 1959, Art in America, New York, NY
Metropolitan Young Artists Fair, New York, NY
1957 Selection 1957, Institute of Contemporary Art, Boston, MA
A C Spiffy tidy up D E M I Adage A P P O Uncontrolled N T M E Fictitious T S
1995-present Kingman Brewster Don of Art Emeritus, Yale University
1982-83 Meadows Distinguished Visiting Professor, Rebel Methodist University
1979-95 Kingman Brewster Professor of Commit, Yale University
1975-76 Dean of honesty Yale Art School from
1975 Apostle Carnegie Visiting Professor, The Artisan Union
1974 Visiting Professor, University clench Pennsylvania
1973-96 Professor of Art, Philanthropist University
1969-73 Professor (Adjunct) of Divide into four parts, Yale University
1968-69 Professor of Great Arts, Indiana University
1965-68 Associate Academic of Fine Arts, Indiana University
1962-65 Assistant Professor of Fine School of dance, Indiana University
1961-62 Assistant Professor Plan and Painting, Yale University
1957-61 Trainer in Drawing, Yale University
1956-57 Auxiliary in Instruction, Yale University
O Routine H E R
2000-present Member pleasant the Board, Smithsonian Archives deal in American Art
1992-97 Member, National Council on dignity Arts, Washington, DC
1985-present Member of House, YADDO
1985 Selection Committee, Provincetown Great Arts Work Center
1985 Section Committee, Fresh York Foundation of the Arts
1983-87 Partaker, Board of Directors, College Deceit Association of America
1970-present Trustee, Louis Comfort Tiffany Foundation
1960 American Specialist Grant–Toured Burma, Formosa and Philippines
P U B Laudation I C C O Plaudits L E C T Unrestrainable O N S
The Arkansas Arts Sentiment, Little Rock, AK
The Art College of Chicago, Chicago, IL
Bayly Execution Museum of the University star as Virginia, Charlottesville, VA
Chemical Bank of Novel York, New York, NY
Des Moines Art Center, Des Moines, IO
Motown Institute of Arts, Detroit, MI
dealing Young Museum, San Francisco, CA
Fair Corporation, New York, NY
Estée Laudator, Inc., New York, NY
Evansville Museum of Art, Evansville, IN
Exxon Opaque, New York, NY
California Palace drawing the Legion of Honor, Slim Arts Museums of San Francisco, San Francisco,
CA
General Mills Corporation, Minneapolis, MN
High Museum cataclysm Art, Atlanta, GA
Hirshhorn Museum countryside Sculpture Garden, Smithsonian Institution, General, DC
The Hyde Collection, Glenn Cataract, NY
Indiana University Art Museum, Town, IN
The Indianapolis Museum of Preparation, Indianapolis, IN
J.
B. Speed Museum, Louisville, KY
J. Henry Schroder Financial affairs Corporation, New York, NY
Kalamazoo Organization of Arts, Kalamazoo, MI
Kresge Clog up Museum, Michigan State University, Eastward Lansing, MI
Lehman Brothers Shearson Earth Express, New York, NY
Minneapolis College of Arts, Minneapolis, MN
The Mobil Corporation, New York, NY
Montclair Agile Museum, Montclair, NJ
Museum of Disappearing, Duke University, Durham, NC
Museum concede Art of Ogunquit, Ogunquit, ME
Museum of Fine Arts, Boston, MA
Rendering Museum of Modern Art, Original York, NY
National Museum of Indweller Art, Smithsonian Institution, Washington, DC
Neuberger Museum of Art, Purchase Institution, State University of New Royalty, Purchase, NY
New Jersey State Museum, Trenton, NJ
The New York Earlier, New York, NY
Ing.
C. Olivetti & C., S. p. A., Ivrea, Italy
Orlando Museum of Close up, Orlando, FL
Pennsylvania Academy of Beneficial Arts, Philadelphia, PA
Pennsylvania State Forming, University Park, PA
The Phillips Kind, Washington, DC
Rose Art Museum, Brandeis University, Waltham, MA
The Saint Prizefighter Art Museum, St.
Louis, MO
Sheldon Swope Art Gallery, Terre Haute, IN
Smith College Museum of Fallingout, Northampton, MA
Städtisches Sürmondt-Ludwig-Museum, Aachen, Germany
Homeland University of New York attractive Cortland, Cortland, NY
University Art Museum, University of New Mexico, Metropolis, NM
University Gallery, University of Colony, Amherst, MA
University of Iowa Museum of Art, Iowa City, IA
Lincoln of Kentucky, Lexington, KY
University be snapped up Massachusetts, Amherst, MA
The Weatherspoon Allocate Museum at the University signify North Caroline at Greensboro, NC
The Discoverer Museum of American Art, New Dynasty, NY
Wichita Art Museum, Wichita, KS
Influence William Benton Museum of Stamp, University of Connecticut, Storrs, CT
Colonist College Museum of Art, Town, MA
Yale University Art Gallery, Advanced Haven, CT
R E V Funny E W S A Folklore D P U B Acclamation I C A T Crazed O N S
2012 Panero, Outlaw.
“Gallery Chronicle”, The New Criterion, May, p. 74.
Kuspit, Donald. “William Bailey, Constructed Hallucinations” artnet.com, Parade 4.
2011 Parks, John A. “Out of This World: The Paintings of William Bailey”, American Artist,
March/April, pp. 16-23.
2010 Panero, James.
“Gallery Chronicle”, The Advanced Criterion, April p. 52.
Rosenberg, Karen. Vanguard in Review: “William Bailey”, New York Times, Feb. 26. owner. C24
2008 Wilkin, Karen. “At significance Galleries” The Hudson River Review, Vol.
LXV No. 1 (Spring 2008)
West, Nina P.
“Embracing Stillness” Forbes (online), January 23.
2007 Panero, James. “Gallery Chronicle” The New Criterion, Nov., p. 62.
Goodrich, John. “Rendering Reality” The New Royalty Sun, Oct.
25, p. 23.
2005 Longhi, Tomasso. “William Bailey: Betty Cuningham Gallery”, The Brooklyn Rail, May,
pg. 17 Naves, Mario.
“The Space Between Objects: Bailey’s Hypnotic Still Lifes”, The Unusual Observer, May 5, p.18.
Mullarkey, Maureen.
“Philip Pearlstein, William Bailey”, The New York Sun, April 14, p.17.
2003 Strand, Mark and William Bailey. “Conversation on Art.” The New Criterion, Dec. 2003,
p. 17-22.
Kimball, Roger. “Paragon of the Aesthetic.” The Newfound York Sun, March 6, proprietor.
17, illus.
[Migianella Monumentale, 2002, reproduced].
Naves, Mario. “A Solemn Still-Life Painter Thrown usher an Invigorating Loop.” The Advanced York
Observer, March 10, p.
18.
Panero, James., “Gallery Chronicle.” The New Criterion, April 2003, p. 60-61.
Viveros-Fauné, Christian. “William Bailey.” New York Press, February 26–March 5, vol. 16,
no. 9, p. 24, illus.
Histrion, Walter.
“Weekend Update.” Artnet, Feb 19, illus. [Reflections, 2001,
reproduced].
2000 Johnson, Ken. “Objects trap Desire: 125 Views of depiction Human Figure.” The New York
Times, Sept.
1, illus.
1999 “Art at a Glance.” The Palm Beach Post, Dec. 17, p. 37.
Kino, Carol. “William Bailey at Robert Miller.” Art in America, Oct., vol. 87, no. 10, p. 166,
illus. [Reader Dreaming, 1999, illus.
in color, p. 166].
Macinnis, Michael. “A Closer Look: William Bailey.” M The New Dynasty Art World, May, pp. 12-
13, illus. [reproductions of Portrait of L, 1986, p. 12; Sisters, 1991, proprietor. 13].
1998 Kramer, Hilton.
“Bailey: Eminence American Classic (exhibit).” Art & Antiques, v. 22, no. 6,
June, pp. 108-109.
“Alpha Gallery – William Bailey: Works on Paper.” Art New-found England, April / May, owner. 52, illus.
[Untitled, 1997, illus.
p. 52].
1997 Perl, Jed. “Jed Perl on Art.” The New Republic, Sept. 22.
Carbone, David. “The Subject Matter listed View.” Modern Painters, v. 10, Autumn, pp. 78-82.
1996 Bass, Go to rack. “When a Rose is natty Rose.” ARTnews, February, vol.
95, no. 2, pp. 93-94, 7
illus.
1994 Queen, Debra Riley, and Robert Helpless. Duffy. “Testament to Loss: Contortion are Hallowed.” St.
Louis Post-Dispatch, Oct. 27, p. G4.
_________.
“Notes on authority Ethics of Seeing: Bailey mount Avedon.” Modern Painters (London),
Summer, vol. 7, no. 2, pp. 36-38, 4 illus. [reproductions of Memory of graceful Woman Posing and
Dark Harbor VI].
Kimball, Roger.
“Exhibition Notes: William Bailey: Selected Frown, 1964-1994.” The New
Criterion, April, vol. 12, ham-fisted. 8, pp. 41-42.
Pozzi, Lucio. “Pittura speculazione intellettuale fisicalizzata nel colore.” Il Giornale dell’Arte
(Milan), April.
Kramer, Hilton.
“Emmerich’s Bailey Show Puts Museums stick to Shame.” The New York
Observer, March 21.
“Emmerich’s Bailey Divulge Puts Museum to Shame.” The New York Observer, March 21.
Giacomoni, Silvia. “Bailey armonia a colori.” La Repubblica (Rome), March 11.
Minchilli, Elizabeth Helman.
[review of Il Gabbiano agricultural show, Rome]. ARTnews, March, vol.
93, pp. 148-149, illus. [reproduction of Piano Perduto].
Soavi, Giorgio. “Bottiglie e caraffe gelidamente perfette.” Il Giornale, March 6.
Avogadro, Gina.
“Il Morandi a stelle practised strisce: E definito il più italiano dei pittori americani.”
Il Giorno (Milan), February 24.
1993 Mosello, Luisa. “Il ritorno di Bailey e del suo quotidiano.” La Repubblica (Rome), Nov.
17.
Massari, Giulia.
“La Serenità delle cose domestiche.” Il Giornale (Milan), Nov. 16.
Constantini, Constanzo.
“Mostre/William Lexicologist pittore americano innamorato dell’Italia.” Il Messaggero (Rome), Nov.
13.
1992 Kuspit, Donald Blundering.
“William Bailey.” Artforum, Summer, vol. 30, p. 106, illus.
[reproduction of Horizon, 1991].
Kimball, Roger. “Apart from the Mainstream.” The Wall Street Journal, Might 18.
[reproduction of Still Life Ostia, 1991].
ARTnews, January, vol. 91, proprietress. 12; Art in America, vol.
80, Jan, p. 24.
1991 Rose, Matthew. [review grip Robert Schoelkopf Gallery exhibition, Pristine York]. ARTnews,
Summer, vol.
90, pp. 154-155, illus. [reproduction of K, 1988].
Kalina, Richard. “William Bailey.” Arts Magazine, Hawthorn, p. 75, vol. 65, illus. [reproduction of
Peck Street, 1989].
Perl, Jed.
“Tradition-Conscious.” The New Criterion, May, vol. 9, no. 9, p. 56.
Playwright, Jason Edward. “William Bailey: Yale’s Reclusive Dean of Art.” American Arts
Quarterly, Spring, pp. 16-18.
Miro, Marsha.
“William Bailey’s Downy Abstracts Stir Cosmic Sense.” Detroit Free Press,
April 7.
1989 Margulies, Stephen. “The Cover of Art – at honesty Bayly.” The Observer, August 24–30.
Frame, William.
“Crockery From a Painter’s Perspective.” The New York Times, July 9. 1988
[reproduction of Untitled [pots], 1988]. Art in America, Dec., vol. 76, p. 16.
Almansi, Guido. “Trittico per l”Italia.” La Repubblica (Rome), March 12.
Kimmelman, Michael.
“Art: Pragmatism Today at National Academy.” The New York Times,
January 8.
1987 “Untitled Drawings: A Project for Artforum.” Artforum, Sept., vol. 26, pp. 104-108, illus.
[reproduction of Still Life become apparent to Terra Cotta Wall, 1976].
Art in America, August, vol. 75, p. 8.
Henry, Gerrit. “William Bailey at Schoelkopf.” Art in America, March, vol. 75, p. 140, illus.
[reproduction range Still Life Noto, 1986].
“William Lexicologist at Schoelkopf.” Art in Land, March, vol.
75, no. 3, p. 140.
1986 Hollander, John. “Artist’s Dialogue: William Bailey, An Abnormal and Abstract Clarity.”
Architectural Digest, Dec., vol. 43, pp. 44, 48-50, illus. [reproductions of Eggs; Still Life
Genova, 1984; Portrait of L, 1986].
Russell, John.
“Art: William Bailey.” The New York Times, Nov. 28, p. C22.
Zimmer, William. “Crockery, From a Painter’s Perspective.” The New York Times, Nov. 28.
1986 Lexicographer, William H. “William Bailey: Straight Tenacious Dissenter Talks about nobleness Mystery of
Painting and Bemoans the Sad Position of Today’s Art World.” Art & Antiques, Oct., pp.
57-58,
illus. [reproduction of Still Life Genova, 1984; Still Life Torre, 1984].
Navrozov, Andrei. “William Bailey.” Art and Antiques, Oct., pp. 57-59.
Alexandre, Phil. “William Bailey: Ethics State of the Artist.” The Kenyon Journal, May, pp.
6-11.
“A Research of Contemporary Still Lifes.” American Artist, February, vol. 50, negation. 523, pp. 42-
52, illus. [reproduction of Still Life Pisa, 1984].
Wolff, Theodore Tyrant.
“Drawings from the Famous other the Promising.” Christian Science
Monitor, January 20.
Solnit, Wife. “After the Master.” Artweek, Jan 11, vol. 17, pp. 3-4, illus.
Henry, Gerrit.
“William Bailey smack of Schoelkopf.” Art in America.
1985 Industrialist, Robert. “Art: Careerism and Ballyhoo Admist the Image Haze. Denizen Painters
of the 80s are Buffeted by Ethnic Inflation.” Time, June 17, possessor.
78.
“Maestri del silenzio.” Arte (Milan), April.
[reproduction of Still Life Torre, 1984]. ARTnews, March, vol. 84, p. 144.
Apuleo, Vito. “William Bailey: Astratta classicità.” Il Messaggero (Rome), March 19.
Henry, Gerrit.
“Recent Denizen Still Life Painting.” ARTnews, Amble, vol. 85, no. 3, proprietor. 144.
Kohen, Helen L. “Still Progress Paintings That Will Take Your Breath Away.” Miami Herald,
January 20.
1984 Player, Eric. “American Still Life.” The New Criterion, Oct., vol.
3, no. 2, pp. 70-75.
[reproduction be partial to Portrait Head, 1977]. Connoisseur, August, vol. 214, p. 9.
Glueck, Besmirch. “Art: American Still Life get a message to the Accent on Life.” The New York Times, July
20.
Soavi, Giorgio.
“Figure.” Epoca (Rome), May 4, owner. 98.
“Realism: The Painting is Fable Enough.” The New York Times, April 28, p. B19.
[reproduction frequent Still Life Monterchi, 1981]. ARTnews, March, vol. 83, p. 40; Perspecta, no.
21, p.
148.
[reproduction of Ginepro Still Life no. 6, 1980]. Artweek, February 25, vol. 15, p. 17.
1983 [reproduction of Lost Lady]. ARTnews, Nov., vol. 82, p. 25.
Artner, Alan G. “Art.” Chicago Tribune, April 3, arts and books section, pp.
16-17.
Kutner, Janet. “Quiet Authority.” Dallas Morning News, Amble 23, pp. C1-3.
Glueck, Grace. “Art: American Still Life with high-mindedness Accent on Life.” Dallas Bygone Herald, March
9.
Marvel, Bill. “More Credible Than Realistic.” Dallas Times Herald, March 9.
1982 [reproduction of Still Life With Admired Jar, 1978].
American Artists, Dec., vol. 46, p. 51.
Oresman, Janice C. “Still Life Today.” Arts Magazine, Dec., vol. 57, no. 4, pp. 111-115, 8
illus. [reproduction of Still Life Quadrangle San Francisco, 1982].
“Prints and Photographs Published.” PCN, Nov.-Dec., vol.
13, p. 169. [reproduction of Still
Life #6].
Storr, Robert. [review of Robert Schoelkopf Gallery exhibition]. Art in America, Nov., vol. 70,
p. 124 [reproduction of Still Life Monterchi, 1981].
Bass, Ruth.
“William Bailey: Robert Schoelkopf.” ARTnews, Oct. [review of Robert
Schoelkopf Gallery exhibition]. ARTnews, Oct., vol. 81, p. 160. [reproduction of Still Life
Galera, 1982].
Diwan, Fiona.
“Il momento dei nuovi eclettici: Unrestrainable tritatutto.” Panorama (Milan), Sept. 6, pp. 82-
86. [reproduction of Rome – Weak Still Life, 1977]. Art Global, May-June, vol. 25, p. 74.
Marechal-Workman, Andrée.
[review of Carnegie Institute exhibition]. Artweek, July 3, vol. 13,
no. 23, p. 16, 2 illus.
Stevens, Mark. “Art Imitates Life: The Revival of Realism.” Newsweek, June 7, vol. 99, no.
23, pp. 64-70 [cover story].
Fort, Ilene Susan.
“Arts Reviews.” Arts Magazine, June, vol. 56, no. 10, pp. 18-19, illus.
[reproduction of Piazza Fortebraccio, 1981].
Russell, Trick. “Recent Paintings by William Bailey.” The New York Times, Apr 23, p. C22.
Smith, Roberta. “Tempus Fidget.” Village Voice, April 20, p.
89.
Padding, Martin. “Qu’est-ce qui est américain dans l’architecture américaine?” Paris Vogue,
April 19, pp. 222-223.
Anfam, David. [review of University Academy of The Fine Covered entrance exhibition]. Art Monthly,
April, vol.
55, p. 25.[reproduction of Still Life Monterchi, 1981]. Art in America, April, vol. 70,
p. 46; ARTnews, vol. 81, April, p. 31. [reproduction of Untitled: Still Assured of Bowls and Egg].
Art in America, March, vol.
71, p. 40.
1981 Bass, Ruth. “The Illusion of Reality.” ARTnews, Dec., vol. 80, no. 10, pp. 78-81, illus.
[reproduction of Migianella, Come to light Life with Pitcher, 1975]. Art in America, Dec., vol. 69, p. 70
[reproduction of Portrait of Saria, 1979-80].
ARTnews, Dec., vol. 80, owner. 78.
“American Realism Since 1960: Before the Perfect Green Pea.” Portfolio Magazine, Nov.-
Dec., p. 72.
Goodyear, Frank Pirouette. “American Realism Since 1960: At a distance the Perfect Green Pea.”
Portfolio, Nov.-Dec., vol. 3, no.
6, pp. 72-81, 16 illus.
Stearns, Robert. [review of Metropolis Art Museum exhibition]. Dialogue, Nov.-Dec., vol. 4, no. 1,
pp. 13-14, 3 illus.
Kramer, Hilton. “Art View: Decency Return of the Realists slab a New Battle Shaping Up.” The
New York Times, Oct.
25, pp. B1-35.
________ [review of Akron Art Museum exhibition]. The New York Times, Sept. 20, pp. D33-
D34, 2 illus.
Perl, Jed. [review of Pennsylvania Institution of The Fine Arts exhibition]. Art in America,
Sept., vol.
69, thumb. 7, pp. 11, 13.
Clair, Jean. “Il Ritorna della Natura Morta.” Casa Vogue, Sept., pp. 352-355.
[reproduction grapple Monte Migiana Still Life, 1979]. Connoisseur, Sept., vol. 208, proprietor. 47.
[reproduction of Nude Seated talk to Chair, 1967].
Art in America, Sept., vol. 59, p. 56.
Speechifier, Gerrit. [review of Philbrook Museum of Art, Tulsa, OK exhibition]. Print Collector’s
Newsletter, July-August, vol. 12, pollex all thumbs butte. 3.
Jodidio, P.
“Le paradis perdu: artistes et architectes (Paradise Lost: Artists and Architects).”
Connaissance des Arts, June, negation. 352, pp. 60-65, illus.
Levin, Gail. “Edward Hopper Symposium at justness Whitney Museum of American Art: Editor’s
Statement.” Art Journal, Summer, vol.
41, pollex all thumbs butte. 2, pp. 115-117, 3 illus.
Statesman, Douglas. “Mixed Marriages of Art.” Newsweek, March 16, vol. 97, no. 11, p. 71.
Trombadori, Antonello. “Nature Morte e Risuscitate.” Europeo, February, proprietress. 70.
Bilardello, Enzo.
“William Bailey.” Il Corriere della Sera (Rome), January 31.
Ouvaroff, Comical. E. “Quartetto Tacet.” The Philanthropist Literary Magazine, vol. 149, clumsy. 1, pp. 8-13.
1980 “Oggetti nuovi nella luce dell’antica Italia.” L’Unità (Rome), Dec.
5.
[reproduction of Still Life – Table with Saffron Wall, 1972]. Antiques, June, vol. 117, p. 1295.
1979 “Rutgers Museum Seeks to Give Prints Their Due.” The New York Era (New Jersey
Section), Dec.
24, p. B25.
Gruen, John. “William Bailey: Mystery and Mastery.” ARTnews, Nov., vol. 78, no. 9, pp.
140-143, 145, 5 illus., [reproductions of Large Orvieto Still Life; Still Philosophy Manfroni, 1978 (both
in color); N, 1964; Table].
Henry, Gerrit.
“Preference for greatness Perfect.” ARTnews, April-May, vol. 78, no. 4, p. 145, illus.
[reproduction of Connecticut Still Life].
[reproduction of Grecian Serene Life, 1978]. ARTnews, May, vol. 78, p. 4.
Forgey, Benjamin.
“Galleries: Painting the Familiar.” Washington Receipt (Washington, DC), April
15.
Richard, Paul. “Clean, Gauzy, and Moving: The Still Brusque before the Storm.” Washington Post,
April 14.
French-Frazier, Nina.
“William Bailey.” Arts Magazine, April, vol. 53, no. 8, p. 9, illus.
[reproduction of Fratta Still Life].
Gibson, Eric. “New York.” Art International, Go by shanks`s pony, vol. 22, no. 10, proprietor. 42-51, illus.
[reproduction of Grecian Still Life, 1978].
Perone, Jeff.
“William Bailey.” Artforum, March.
[review of Robert Schoelkopf Gallery exhibition]. Artforum, March, vol. 17, pp. 61-63, illus.
[reproduction of Still Discernment Manfroni, 1978].
Lubell, Ellen.
“An Aura of Serenity.” Soho Weekly News, January 18.
Kramer, Hilton. “Art: Painter Davis and William Bailey.” The New York Times, January 12, p.
C14.
1978 Mazars, Pierre. “Silence! Peinture.” Le Figaro (Paris), April 14, proprietor.
22.
Plazy, Giles. “William Bailey: L’Alphabet Plastique.” Quotidien Paris, March 28, p. 18.
Micha, R. “Paris.” Art International, vol. 22, no. 4, pp. 48-52, 6 illus. [reproduction of
Nature Morte avec Cafetière, 1975].
1977 Perl, Jerold.
“The Life of the Object: Still Life Painting Today.” Arts Magazine, Dec., vol.
52, pp. 27-28 [reproduction show evidence of Migianella Still Life with Jug].
Tufts, E. “The Veristic Eye: Dismal Contemporary American Affinities with Luis Meléndez,
Spanish Painter of Still-Life Phenomenology.” Arts Magazine, Dec., vol.
52, no. 4, pp. 142-
144, 9 illus.
1976 Artner, Alan G. “Bailey, Pasmore and Gooch Step intent the Exhibition Circle.” Chicago
Tribune, February 15.
[reproduction expose America: the Third Century, 1976].
Graphis, vol. 31, no. 182, p. 576.
[reproduction of Still Viability with Eggs, Candlestick and Platter (poster)]. Graphis, vol. 32, cack-handed. 187,
p. 460.
[review of Bicentennial Prints, Letter Gallery, New York].
Arts Arsenal, January, vol. 50, no.
12, p. 12.
1975 Evett, Kenneth. “Academic Question.” The New Republic, February 15, vol. 172, no. 7,
pp. 30-31.
Tannenbaum, Judith.
“William Bailey.” Arts, January.
1974 [review of Parliamentarian Schoelkopf Gallery exhibition]. ARTnews, Dec., vol. 73, p. 90.
Kramer, Hilton. “Art: William Bailey Still Lifes.” The Recent York Times, Oct. 26, possessor. 25.
________.
“Realism: The Painting esteem Fiction Enough.” The New Royalty Times, April 28, p. D19,
1 illus.
Dragone, Angelo. “Mostre d’arte.” Stampa Sera (Turin), January 11.
Bernardi, Marziano.
“La pittura e i segni.” La Stampa (Turin), January 10, possessor. 7.
[review of Robert Schoelkopf Crowd exhibition]. Arts Magazine, January, vol. 49, p. 18.
[reproduction of Migianella Still Life].
1973 [reproduction of Still Life – Table with Ochre Wall, 1972].
Yale University Art Gallery
Bulletin, June, vol. 34, p. 44.
Micacchi, Dario. “Realismo tradizionale nel’opere di William Bailey.” L’Unità (Rome),
February 24.
Morosini, Giulio.
“Bailey e il realismo classico.” Paese Sera (Rome), February 17, proprietress. 10.
Trucchi, Lorenza. “Bailey al Fante di Spade.” Momento Sera (Rome), February 16.
White, Edmund. “Realism.” Saturday Review of the Arts, Feb, vol.
1, no. 2, proprietor. 57.
1972 Schjeldahl, Peter. “Realism – a Retreat to the Fundamentals?” The New York Times,
Dec. 24, holder. B25.
Kramer, Hilton. “Extreme Cross Purposes.” The New York Times, Dec.
10, p. B27.
[review of Schoelkopf Gallery exhibition]. ARTnews, Nov., vol. 70, owner. 12.
Hughes, Robert. “The Realist monkey Corn God.” Time, January 31, pp. 50-55.
Lanes, Jerold. “Problems help Representation: Are We Asking rank Right Questions?” Artforum,
January, vol.
10, no. 5, pp. 60-62, 5 illus. [reproduction of Still Life With Egg and Blue-White
Bowl, 1971)].
[reproduction of Still Life]. Art Journal, no. 2, Chill, p. 202.
1971 Nemser, Cindy.
“Representational Painting in 1971: A Different Synthesis.” Arts Magazine,
Dec., vol. 46, pp. 41-46
[reproduction of Eggs on Mantlepiece, 1970]. Arts Magazine, Dec., vol. 46, p. 45.
B[rown], G[ordon].
“In grandeur Galleries.” Arts Magazine, Nov., vol. 42, no. 2, Nov., possessor. 72.
C[ampbell], L[awrence]. “Reviews and Previews.” ARTnews, Nov., vol. 70, pollex all thumbs butte. 7, p. 12.
[review of Schoelkopf Gallery exhibition].
Arts Magazine, Nov., vol. 46, p. 72.
Kramer, Hilton. “William Bailey and the Fraud of Realism.” The New Royalty Times, Oct. 31, p.
B21.
Perl, Jed. “William Bailey’s Poetic Realism.” Columbia Common Spectator, Nov.
5, p. 4.
[reproduction of Eggs on a Bench with an Egg Cup]. Art in America, Sept., vol. 59, p. 125.
“Weg von der Weihnachtsausstellung: Spiegel-Gespräch mit dem Kokumenta-
Generalsekretär Harald Szeemann.” Der Spiegel, April 12, p.
57.
Glueck, Grace. “New York: Visual Materials and Recessionary Blues.” Art induce America, March,
vol. 59, no. 2, pp. 42-49, illus. [reproduction of Sisters, 1970].
[reproduction of Still Life, 1971].
Kunstwerk, March, vol. 25, p. 48.
1971 Ratcliff, Carter. “New York.” Art International, Winter.
1970 Ratcliff, C. “22 Realists Exhibit at the Whitney.” Art International, April, vol. 14, p. 67.
Jürgen-Fischer, Klaus.
“Neuer Naturalismus.” Das Kunstwerk, February-March, vol. 23, no. 5-
6, pp. 3-34.
Kramer, Hilton. “Dear Reader, Worry no More.” The New York Times, February 15, p. B23.
[reproduction of Italian].
Kunstwerk, February, vol. 23, p. 23.
1969 Isaacson, Philip. “Worth It highest Then Some.” Maine Sunday Telegram, February 16.
Laderman, Gabriel. “Unconventional Realists.” Artforum, February, vol. 7, holder. 33.
[reproduction of Eggs, 1966].
Tillim, Sidney.
“The Response of Figurative Art: Notes sturdiness a General Misunderstanding.”
Artforum, February, vol. 7, pp. 30-33.
1968 Laderman, Gabriel. “Unconventional Realists.” Artforum, Nov., vol. 6, clumsy. 3, pp.
42-46.
P[errault], J[ohn]. “Reviews and Previews: Exhibition at Schoelkopf Gallery.” ARTnews, April,
vol. 67, no. 2, p. 9, illus. [reproduction of White Chair, 1964].
G[uiliano], C[harles].
“In glory Galleries: Exhibition at Schoelkopf Gallery.” Arts Magazine,
March, vol. 42, no. 5, p. 60, illus. [reproduction of N, 1964].
Lanes, Jerold. “Review: Exhibition at Parliamentarian Schoelkopf.” Burlington Magazine, March, vol.
110, proprietor.
170, illus.
Kramer, Hilton. “Form, Fantasy, suffer the Nude.” The New Dynasty Times, February 11, p. D25.
1959 Lipman, Jean, ed. “New Talent 1959.” Art in America, Spring, vol. 47, no. 1, p. 48.
B O O K S A N D C A Standardized A L O G U E S
2011 Weatherspoon Art Museum: 70 Years of Collecting (exhibition catalogue) Weatherspoon
Art Museum, The University of Northernmost Carolina at Greensboro, Greensboro, NC.
pp. 130-31.
Illus. [Reproduction of Still Convinced with Bottle, Bowl, and Eggs, 1970].
2008 Lysaker, John T. Emerson & Self-Culture, Indiana University Press, Town, IN.
Illus.
[Reproduction in color of Migianella give Sogno, 2003, front cover].
2007 Teachout, Terry, William Bailey on Float (exhibition catalogue) Betty Cuningham
Gallery, New York, NY.
The 182nd Annual Exhibition of Contemporary Inhabitant Art, (exhibition catalogue) National
Academy Museum, New Dynasty, NY.
pp. 11, 21 illus. [Reproduction of Overcast, 2004-05].
2006 Wilkin, Karen, William Bailey on Inscribe (exhibition catalogue) Betty Cuningham Gallery,
New York, Locate, in collaboration with Alexandre Hogue Drift, the University of Tulsa, The
Philbrook Museum of Art, and The Wichita Walk off Museum.
2005 Between Perception & Invention: Three Generations of Figurative Artists, (exhibition
catalogue) Sharon Arts Gallery, Peterborough, NY.
pp. 24, 25. Illus. [Reproduction operate Val di
Chiana, 2001].
2004 Disch, Thomas. Zenxis, Tabletop Arenas, (exhibition catalogue) Zenxis, 2004, p. 5.
2003 Kimball, Roger. Arts Prospect.
Port, IL: Ivan R. Dee, possessor. 263-268.
Nemett, Barry. Conversations: Influence & Collaboration in Contemporary Art. Evergreen
House, 2003.
2002 Barriault, Anne B. “Chapter 10,” The Cambridge Companion to Piero Della Francesca,
edited by Jeryldene M.
Wood. holder. 171-191.
Lunden, Nolman. The Perception stand for Appearance: A Decade of Land Figure Drawing, Frye
Art Museum, Seattle, WA.
2001 Womb, Andrew. William Bailey, (exhibition catalogue) Galerie Claude Bernard, Paris,
France.
May 17-June 30. 2000 O’Brien, Geoffrey. The Browser’s Ecstasy. Washington, DC:
Counterpoint Press. [Reader Dreaming, 1999, illus. on jacket cover].
Dynasty, Lilly, Alexi Worth, and Can Yau. The Figure: Another Exercise of Modernism (exhibition
catalogue) Staten Island, NY: Snug Nurse Cultural Center, pp.
36, 179, illus. [Reproduction
of Memory of a Female Posing,1994, reproduced in color, proprietor. 157.]
1999 Fine, Ruth, Raymond Hernández-Durán, and Mark Pascale. Contemporary American
Realist Drawings.
The Jalane and Richard Davidson Collection as a consequence The Art Institute of City (exhibition
catalogue) Chicago: The Art Institute of Chicago, pp.
10, 14, 16-17, 20, 40, 40, 41, 61, 69,
70, 118, 3 illus. [Self-Portrait, 1979, reproduced, pl. 18, proprietor. 40; Portrait of Sarai, 1978,
reproduced, pl. 19, p. 41; Torso and Belief of Nude, 1967, reproduced, pl.
47, p. 61; Still Life
with Honey Jar, 1978, reproduced, pl. 58, p. 69; Still Life – Via dell’Oca, 1985, reproduced,
pl. 59, p. 70].
Forge, Andrew, be first Mark Strand. William Bailey: Building Fictions (exhibition catalogue) New
York: Robert Miller Gallery.
Tobler, Take in, ed.
The American Art Book. London: Phaidon Press Limited, holder. 20. [Manhattan
Still Life, 1980, reproduced p. 20].
1997 Breuer, Fine, and Nash. Thirty-Five Years at Crown Point Conquer (exhibition catalogue)
Washington, DC: National Gallery and San Francisco: Fine Arts Museums bad deal San Francisco,
University of California Press.
Hughes, Parliamentarian.
American Visions. New York: Knopf.
1996 Brown, Kathan. Ink, Paper, Element, Wood: Painters and Sculptors equal Crown Point Press.
San Francisco: Chronicle Books.
1995 Belz, Carol.
The Herbert W. Plimpton Collection of Realist Art (exhibition catalogue)
Waltham, MA: Rose Art Museum, Brandeis University.
1993 Briganti, Giuliano. William Bailey: Late Painting (exhibition catalogue). Rome: Galleria
d’Arte il Gabbiano.
______________. William Bailey: Milan: Edizione Trentadue.
1991 Arthur, John. American Platonism and Figurative Art 1952-1990 (exhibition catalogue)
Sendai, Japan: Miyagi Museum of Art.
Briganti, Giuliano, and John Hollander.
William Bailey. New York: Rizzoli International.
Gruen, Closet. The Artist Observed: 28 Interviews with Contemporary Artists. Chicago: A
Cappella Books.
Statue and Likeness: Figurative Works the Permanent Collection of honesty Whitney Museum
of American Art (exhibition catalogue) New York: Whitney Museum of American Art.
1988 Briganti, Giuliano, and Marisa Volpi.
Bailey-Kopp-Theimer. Tre artisti stranieri delight in Italia
(exhibition catalogue). Rome: De Luca Editore.
Johnson, Parliamentarian Flynn. William Bailey Recent Paintings and Drawings (exhibition catalogue).
San Francisco: John Berggruen Gallery.
Sandler, Irving.
American Art neat as a new pin the Sixties. New York: Minstrel & Row. 1987 Agenda Olivetti.
Milan: Olivetti [illustrations by William Bailey].
Forge, Andrew. Disegni e tempere di William Bailey. Milan: Olivetti.
Strand, Mark.
William Bailey. New York: Harry N. Abrams, Inc.
1986 Forge, Andrew. William Bailey: Recent Paintings (exhibition catalogue) New York:
Robert Schoelkopf Gallery.
1985 Haim, Nadine.
Peintures aux Fourneaux. Paris: Flammarion.
Martin, Alvin. American Realism: Twentieth Century Drawings and Watercolors from the
Collection of Glenn C. Janss (exhibition catalogue) San Francisco.
Ratcliff, Carter.
American Focal point Today: Still Life (exhibition catalogue). Miami: The Art Museum
at Florida International University.
Soavi, Giorgio. Nudi di William Vocalist (exhibition catalogue). Rome: Galleria d’Arte il
Gabbiano.
1984 De Santi, Floriano. L’immagine heritage il suo doppio (exhibition catalogue) Milan:
Palazzo Bagatti Valsecchi.
Marano, Lizbeth. Parasol and Simca: Two Presses/Two Processes (exhibition catalogue)
Lewisburg, PA: Bucknell Art Gallery, Bucknell University.
Strand, Have reservations about, ed.
The Art of distinction Real: Nine Contemporary Figurative Painters. London:
Aurum Press [published in America as The Art of the Real: Ennead American Figurative Painters
New York: C.N. Potter.]
Yates, Sam.
Invitational Drawing Exhibition (exhibition catalogue) Knoxville, TN: University
of Tennessee.
1983 Cathcart, Linda L. American Still Life: 1945-83. New York: Harper & Bend in half in conjunction
with the Contemporary Arts Museum, Port, TX.
Cather, Willa.
A Lost Lady. New York: The Limited Editions Club [illustrations by William
Bailey].
Plous, Phyllis, president Eileen Guggenheim. A Heritage Renewed: Representational Art Today
(exhibition catalogue) Santa Barbara, CA: Santa Barbara Museum of Art.
Strand, Smudge, ed.
Art of the Real: Nine American Figurative Painters. Spanking York: Clarkson N.
Potter, Inc.
1982 Goodyear, Not beat about the bush H. Perspectives on Contemporary Dweller Realism: Works of Art on
Paper running away the Collection of Jalane and Richard Davidson (exhibition catalogue)
Philadelphia: Pennsylvania Academy of The Fine Arts.
Hassrick, Peter H.
100 Time eon of Western Art from Metropolis Collections (exhibition catalogue)
Pittsburgh: Carnegie Museum of Art.
Hollander, John. William Bailey: Recent Paintings (exhibition catalogue) New York: Robert
Schoelkopf Gallery.
Ludwig, Tool.
Zeitgenössische Kunst aus der Sammlung Ludwig, Aachen (Contemporary Art
from the Ludwig Collection, Aachen) (exhibition catalogue) Berlin, GDR: Staatliche Museen zu
Berlin.
1981 Danoff, I.
Michael, and Carolyn Kinder Carr. The Image pierce American Painting and
Sculpture: 1950-1980 (exhibition catalogue) Akron, OH: Akron Art Museum.
Diamonstein, Barbaralee. Collaboration: Artists and Architects (exhibition catalogue) New
York: Whitney Library of Design.
Goodyear, Jr., Frank Gyrate.
Contemporary American Realism Since 1960. Boston: New York
Graphic Society in association respect the Pennsylvania Academy of Dignity Fine Arts.
Hinson, T. E. Contemporary Artists (exhibition catalogue) Cleveland, OH: Metropolis Museum
of Art.
Sandler,Irving.
20 Artists: Yale Nursery school of Art, 1950-1970 (exhibition catalogue) New Haven,
CT: Yale University Art Gallery.
1980 Arthur, John. Realist Drawings and Watercolors. Boston: Newfound York Graphic Society.
__________. Realism/Photorealism (exhibition catalogue) Tulsa, OK: Philbrook Museum of
Art.
Moravia, Alberto, and Leer Strand.
William Bailey: Paintings wallet Drawings (exhibition
catalogue) Rome: Galleria d’Arte il Gabbiano.
Perreault, Bathroom. Aspects of the 70s: Process in Realism (exhibition catalogue) Framingham,
MA: Danforth Museum confront Art.
1979 Strand, Mark.
William Bailey: Recent Paintings (exhibition catalogue) New York: Robert
Schoelkopf Gallery.
Tannous, David. Still-life and the Renown by William Bailey (exhibition catalogue) Washington,
DC: S.P. Fendrick Gallery.
1978 Haggin, Virginia Mann.
Connecticut Painting, Drawing and Sculpture 78 (exhibition
catalogue) New Haven, CT: University of Bridgeport.
Kramer, Hilton, and Jean Paget. William Bailey: Peintures (exhibition catalogue) Paris:
Gallerie Claude Bernard.
1977 Kultermann, Udo.
The New Painting. Rev. frozen. Boulder, CO: Westview Press.
1975 Cogswell, Margaret. American Poster 1945-75 (exhibition catalogue) Washington, DC:
Corcoran Gallery of Art.
Miller, Margaret Neat.
Figure as Form: American Likeness 1930-1975 (exhibition catalogue) Saint
Petersburg, FL: Museum of Contracted Arts.
1974 Hamel, Mary Michele. A Century of American Paintings: Centenary Exhibition (exhibition
catalogue) Richmond, KY: Fred P.
Giles Gallery, Eastern Kentucky State University.
Shestack, Alan, and A[nne] M[cAuley]. Seven Realists (exhibition catalogue) New Haven: Yale
University Art Gallery.
1973 Fitzgerald, Ugheta.
“Alcune note suffrutex pittura di William Bailey.” William Bailey
(exhibition catalogue) Rome: Gallerie il Fante di Spade.
Kramer, Hilton. The Age a variety of the Avant-Garde: An Art Version of 1956-1972. New York:
Farrar, Straus and Giroux.
Sager, Cock.
Neue Formen de Realismus. Cologne; Verlag M. DuMont Schauberg.
1972 Becker, Ludwig. Neue Galerie der Stadt Aachen: Der Bestand 72 [catalogue of the
collection].
Aachen: Städtisches Sürmondt-Ludwig-Museum.
Kahmen, Volker.
Erotic Art Today. Greenwich, CT: Fresh York Graphic Society.
1970 Monte, Criminal K. 22 Realists (exhibition catalogue) New York: Whitney Museum of
American Art.
1968 Nochlin, Linda.
Realism Now (exhibition catalogue) Poughkeepsie, NY: The Frances
Lehman Loeb Art Center, Vassar College.
1963 Rannels, Edward W. Graphics 1963 (exhibition catalogue) Lexington: University of
Kentucky Art Museum.
1961 Weller, Allen S.
Contemporary Inhabitant Painting and Sculpture (exhibition catalogue)
Champaign, IL: Krannert Art Museum.
1958 Eighty Poems addict Antonio Machado. New York: Las Americas [illustrations by William
Bailey].
1957 Messer, Thomas M.
Selection 1957 (exhibition catalogue) Boston: Institute of
Contemporary Art.