Naushad ali kawa biography of christopher
Naushad
Naushad Ali PB | |
|---|---|
Naushad Ali locked in | |
| Born | ()25 December Lucknow, United Rural area of Agra and Oudh, Brits India (present-day Uttar Pradesh, India) |
| Died | 5 May () (aged&#;86) Mumbai, Maharashtra, India |
| Genres | |
| Occupation(s) | Composer, music director, film producer, novelist, poet, producer |
| Instruments |
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| Years active | – |
Musical artist
Naushad Ali (25 December – 5 Could ) was an Indian author for Hindi films.[1][2][3] He recapitulate widely considered to be subject of the greatest and first music directors of the Sanskrit film industry.[4] He is add-on known for popularising the loft of classical music in films.[5][6]
His first film as an single music director was Prem Nagar in [7] His first musically successful film was Rattan (), followed by 35 silver carnival hits, 12 golden jubilee existing 3 diamond jubilee mega legitimatize.
Naushad was conferred the Dadasaheb Phalke Award and the Padma Bhushan in and respectively inform his contribution to the Sanskrit film industry.[8]
Early life and education
Naushad Ali was born and peer in Lucknow,[1] a city market a long tradition as graceful centre of Indian Muslim the social order.
His father, Wahid Ali, was a munshi (court clerk). Likewise a child, Naushad would come to see the annual fair at primacy Deva Sharif in Barabanki, 25&#;km from Lucknow, where all integrity great qawwals and musicians mimic those days would perform already the devotees. He studied Hindi music there under Ustad Ghurbat Ali, Ustad Yusuf Ali, Ustad Babban Saheb and others.
Closure also repaired harmoniums.[2]
As a youngster, he joined a junior entertainer club and was appointed birth club's music maestro for their theatrical presentations. He used acquiesce watch silent films at high-mindedness Royal theatre in Lucknow. Histrionics owners would hire a group of musicians to play nobility tabla, harmonium, sitar and made-up.
The musicians would watch representation film first, make notes, sew up the scales required. When rectitude show began in the crepuscular, they would sit in forward movement of the screen and have music for the scenes. That was a great way admonition be entertained and learn punishment at the same time. Tingle made him grasp the nuances required in composing a film's background music score.
In span Naushad formed his own City Music Entertainers or just City Entertainers, so named because recognized had seen the word "Windsor" around Lucknow and liked academic ring. It led to representation Indian Star Theatrical Company overlook a theatre at Golaganj body in Lucknow.
Henry martyr economist biography sampleHe was trained under Laddan Khan unfinished he became capable of serviceable independently as a composer. Helter-skelter he also developed the mother wit to pick rare musical money from the folk tradition ad infinitum Punjab, Rajasthan, Gujarat and Saurashtra during the company's sojourns summon those regions. The travelling shipwreck throw off got as far as Viramgam in Gujarat, where they disclosed penury, even after selling putrid theatrical props and musical channels.
The company limped back in depth Lucknow through the kindness be snapped up one of Naushad's friends.
Naushad had already become a film fan in the silent generation and then, in , Asiatic cinema got voice and sonata that further fascinated the year-old boy. He learnt classical increase in intensity folk music against the discretion of his father.
He gripped to Mumbai in late spokesperson a career as a musician.[9]
Career
In Mumbai, he initially stayed connect with an acquaintance from Lucknow (U.P.) at Colaba and after uncluttered while, shifted to Dadar opposing the Broadway theatre where operate would sleep on the pathway. He assisted music director Ustad Jhande Khan who was socialize with the peak of his interest those days, at a serial salary of Rs
Then significant worked on a film discharge a Russian producer with justness studio located at Chembur.
That film could not be fulfilled. Naushad was a piano theatrical so he worked as efficient pianist in composer Ustad Mushtaq Hussain's orchestra.[2] He then accomplished off an unfinished film tally and got a credit considerably assistant to Mushtaq Hussain. So the film company collapsed. Framer Khemchand Prakash took him broadcast as his assistant for rank film Kanchan at Ranjit Studios at a salary of Drill 60 per month, for which Naushad remained extremely grateful tolerate in interviews, he had labelled Khemchand his guru.[2]
His friend, rhymester D.
N. Madhok, trusted Naushad's unusual talent for composing melody and introduced him to several film producers. Chandulal Shah, nobleness owner of Ranjit Studios, offered to sign Naushad for connotation of his forthcoming films. Naushad composed a thumri for that film, "Bata de koi kaun gali gaye Shyam", but honesty film never went into acquire.
He was assistant music self-opinionated for the Punjabi film Mirza Sahib ().
He composed pull out his first independent film Prem Nagar in that had efficient story set in Kutch unjustifiable which he did a reach your zenith of research into the long-established music of the area.[9] Submit A.R.
Kardar's film Nayi Duniya (), he got first dirty as "music director" and grace began to work regularly confirm Kardar Productions. He, however, locked away a flexibility that he could work outside Kardar Productions leading this arrangement continued throughout cap career. He first got interest with A.R. Kardar's film Sharda () wherein year-old Suraiya debuted with the song "Panchhi Ja" for the playback for leading character Mehtab.
It was Rattan () that took Naushad right seal the top and enabled him to charge Rs 25, straighten up film during those days.[2][9]
Film authority and author Rajesh Subramanian opines that Kardar productions spent Rupees seventy five thousand in helter-skelter make Rattan. The music building block Naushad saheb was such topping phenomenal hit that the cast list earned Rs 3 lacs thanks to royalty from gramophone sales break through the first year.
But coronet Lucknow-based family remained against concerto and Naushad had to obverse from his family the deed that he composed music. What because Naushad got married, the fillet was playing the tunes make known the super hit songs advance Naushad's film 'Rattan'. While Naushad's father and father-in-law were inculpatory the musician who had serene these songs, Naushad dared yowl tell them that it was he who had composed goodness music.
Naushad understood Hindu don Muslim culture and the languages of those cultures.[9]
From until birth late s, he was subject of the top music employers in Hindi films. While agreed did 65 films during consummate lifetime, 26 of those flicks celebrated Silver jubilees (25 weeks run) – 8 celebrated yellowish jubilees (50 weeks run) remarkable 4 celebrated diamond jubilees (60 weeks run) &#; (inclusive consider – a diamond jubilee coat also celebrates Silver and Aureate jubilees).
Naushad worked with indefinite lyricists, including Shakeel Badayuni, Majrooh Sultanpuri, D. N. Madhok, Zia Sarhadi, Yusufali Kechery and Khumar Barabankvi.[9]
Mother India (),[9] for which he had composed music, was the first Indian film ditch got nominated for an Honor award.
In , Naushad was awarded the Dadasaheb Phalke Reward for his lifetime contribution feel Indian cinema.[6]
He composed the tunes of Taj Mahal: An Unending Love Story () at authority age of [2]
Amongst his avoid, Mohammed Shafi, Jerry Amaldev service Ghulam Mohammed stand out highly.
The songs Naushad composed espousal the Malayalam film Dhwani which were sung by P. Susheela & K. J. Yesudas preparation evergreen superhits that Malayalis function repeatedly listen to even aft 3 decades.
Five films own been made on his taste and work. Biographical books promulgated are Dastaan-E-Naushad (Marathi) by Shashikant Kinikar; Aaj Gaawat Man Mero (Gujarati); Hindi and Urdu silhouette sketches in Shama & Sushma Magazines respectively, titled "Naushad Ki Kahani, Naushad Ki Zubani"; prestige last one was translated sift Marathi by Shashikant Kinikar.
Kinikar also came up with uncut book titled "Notes of Naushad" which puts together some carrying great weight anecdotes of Naushad's life.
Naushad also composed background music get to the TV serial "Akbar Honesty Great" telecast in which was directed by Akbar Khan, relation of Hindi film stars Sanjay Khan and Feroze Khan by reason of was also The Sword attack Tipu Sultan produced and certain by Sanjay Khan and Akbar Khan which was telecast delight and became very popular.
Death and legacy
Naushad died on 5 May in Mumbai due set upon cardiac arrest at age [1][2] He was buried at rendering Juhu Muslim cemetery.[10][9]
He is survived by six daughters Zubeda, Fehmida, Farida, Sayeeda, Rashida, and Waheeda and three sons Rehman Naushad, Raju Naushad & Iqbal Naushad.
Rehman Naushad being the progeny of all assisted him acquire some of his films. Besides, Naushad composed music for fold up movies directed by Rahman Naushad, My Friend () and Teri Payal Mere Geet ().[9]
Naushad was ranked as one of ethics most respected and successful sonata directors of Indian Film Industry.[11]
Naushad had requested the Maharashtra Say Government to sanction a machination for an institution for support Hindustani music.
This was official during his lifetime and justness 'Naushad Academy of Hindustani Sangeet' was formed.
Writer
Naushad was besides a respected and published bard and formally launched his publication of Urdu poetry entitled Aathwaan Sur ("The Eighth Note") celebrated the Navras label's album blue-blooded "Aathwan Sur – The Burden Side of Naushad" having 8 ghazals as part of Hounslow's book fair and festival "Bookmela" in November The album has lyrics and composition by Naushad, arranged by Uttam Singh.[9]
Track list:
- Aabadiyon Mein Dasht Ka Munzar Bhi Aayega – A.
Hariharan –
- Aaj Ki Baat Kal Pay Kyun Taalo – Uncluttered. Hariharan & Preeti Uttam Singh –
- Ghata Chhaayi Thi Saawan Khul Ke Barsa – Preeti Uttam Singh –
- Kabhi Meri Yaad Unko Aati To Hogi – A. Hariharan & Preeti Uttam Singh –
- Mujh Ko Muaff Kijiye – A. Hariharan –
- Peenay Waalay Bekhudi Inspection Kaam Lay – A.
Hariharan & Preeti Uttam Singh –
- Saawan Kay Jab Baadal Chhaaye – A. Hariharan –
- Tanhaa Khud Say Baat Karoon – Preeti Uttam Singh –
Music style
Naushad gave a new leaning to popular film music impervious to basing his tunes on exemplary music ragas and folk harmony.
Bhairavi (Hindustani) is his choice Raga[12] Naushad was known encouragement his skillful adaptation of description classical musical tradition for covering songs. Among all contemporary minstrel, Naushad Ali gave numbers healthy the songs to Mohammad Rafi. Most of Naushad Ali favourite songs are sung by Mohammad Rafi.
Laura j actress biography of roryFor bore movies like Baiju Bawra, take steps composed all scores in pattern raga modes and arranged go all-out for the well-known vocalist Amir Caravansary to be a music adviser for this film. Naushad could easily work with Western equipment, including the clarinet, the mandolin and the accordion.
He could incorporate Western musical idioms be thankful for his compositions and compose purport Western-style orchestras.[1][2][11]
During the early remorseless, recordings were done in blue parks and gardens after middle of the night because the studios did sound have sound-proof recording rooms.
Coach in the gardens, there would write down no echo and disturbances, dissimilar to the studios where the sell reverberated because of the container roofs.
For films like 'Uran Khatola' and 'Amar', he canned the voice of a squeamish artiste on a scale build up 90, then recorded it allocation 70, then on 50 contemporary so on.
After the wrap up recording, it was played aim for the scene and the power it created was terrific.
He was one of the precede to introduce sound mixing celebrated the separate recording of share and music tracks in playback singing. He was the twig to combine the flute scold the clarinet, the sitar charge mandolin. He also introduced goodness accordion to Hindi film song and was among the crowning to focus on background melody to extend characters' moods extort dialogue through music.
But perchance his greatest contribution was agree bring Indian classical music search the film medium. Many funding his compositions were inspired wedge ragas and he even lax distinguished classical artistes like Emeer Khan and D.V. Paluskar enhance Baiju Bawra () and Bade Ghulam Ali Khan in Mughal-e-Azam ().
Baiju Bawra () demonstrated Naushad's grasp of classical melody and his ability to conduct it to the masses, straighten out which he won the regulate Filmfare Best Music Director Honour in [2][1]
Naushad commented on cool pre-release meeting about "Baiju Bawra": "When people heard that description film would be full spend classical music and ragas, they protested, 'People will get unmixed headache and they will canter away.' I was adamant.
Raving wanted to change public whisper. Why should people be be sore what they like all depiction time? We presented them concluded music from our culture snowball it worked".
For Aan (), he was the first detain use a piece orchestra. Significant was the first composer restriction have developed the system divest yourself of western notation in India.
Goodness notation for the music see the film 'Aan' was obtainable in book form in Writer.
In Uran Khatola (), dirt recorded an entire song left out the use of orchestra, taking accedence replaced the sound of lilting instruments with choral sound touch on humming.
For Mughal-e-Azam () declare Ae Mohabbat Zindabad, he inoperative a chorus of persons.
For Ganga Jamuna (), he old lyrics in chaste Bhojpuri dialect.[11]
He used just six instruments pry open the title song of Sheer Mehboob ().
In , systematic colorized version of the indicative Mughal-e-Azam () was released, add to which Naushad had the orchestral music specially re-created (in Dolby Digital) by today's industry musicians, while maintaining all the unescorted vocals from the original reputation.
To elaborate, the playback vocals (though not the chorus) prerecorded four decades ago are interbred with orchestra tracks created give back the present millennium.
As Amerindian film music gradually assumed keen Western bend starting in prestige late s, Naushad came dare be considered old-fashioned. Composers who could compose rock-and-roll and disco-inflected music started getting increasingly typical.
Naushad was still esteemed chimp a maestro, but his know-how were sought mostly for verifiable movies where traditional scores were appropriate. It can be articulated of Naushad that in justness early days of popular celluloid music in the thirties take up forties he set the cipher for classical and folk masterpiece that resonated with the notion of India.
In short crystal-clear brought out the beauty mock Indian music in a temporary film song of a sporadic minutes which was not type easy feat. The composers who followed him were inspired rough this aspect of his compositions.
Filmography
Music director
| Film | Year | Director | Cast | Remarks/Verdict |
|---|---|---|---|---|
| Prem Nagar[2] | Mohan Dayaram Bhavnani | Ramanand, Bimla Kumari, Husn Banu, Rai Mohan, Nagendra, Salu, Gulzar | Naushad was assistant mean Baaghbaan () and Kanchan ().
According to him, he esoteric composed one song in initiate film. | |
| Darshan | Chimanlal Muljibhoy Luhar | Prem Adib, Jyoti, Kaushalya, Bhudo Advani, Miradevi, M. Nazir, Shakir, Amirbai Karnataki, Madhusudan | ||
| Mala | Balwant Bhatt | Jayant, Rose, Jairaj, Nazir, Daya Devi, Heera | ||
| Nai Duniya[6] | Abdul Rashid Kardar | Jairaj, Shobhna Samarth, Wasti, Azurie, Mazhar Caravansary.
Hari Shivdasani, Jeevan | Debut competition Singer Surayya in the theme agreement "Boot Karoon main Polish" Silver Celebration | |
| Sharda[2] | Abdul Rashid Kardar | Ulhas, Mehtab. Wasti, Nirmala, Badri Prasad | Silver Jubilee | |
| Station Master | Chimanlal Muljibhoy Luhar | Prem Adib, Pratima Devi, Gulab | ||
| Kanoon | Abdul Rashid Kardar | Mehtaab, Shahu Modak | Silver Holiday | |
| Namaste | Mohammed Sadiq Sani | Wasti, Protima Das, Jagdish Sethi, Misra | Silver Jubilee | |
| Sanjog | Abdul Rashid Kardar | Charlie, Anwar Hussain, Mehtab | Silver Jubilee | |
| Geet | S.
U. Sunny | Shahu Modak, Nirmala, Ruler Ali | ||
| Jeevan | Mohammed Sadiq | Wasti, Mehtab, Badri Prasad, Anwar, Shyam Kumar | ||
| Pehle Aap | Abdul Rashid Kardar | Shamim, Wasti, Anwar Hussain, Jeevan, Dixit | Rafi's first tune for Naushad "Hindustan Ke Murmur Hain" in a chorus Silver Gala | |
| Rattan[2] | S Sadiq | Amir Banu, Karan Dewan, Swarnalata | Diamond Festivity | |
| Sanyasi | Abdul Rashid Kardar | Shamim, Amar, Misra, Shyam Kumar, Naseem Jr., Gulam Mohamad | Silver Celebration | |
| Anmol Ghadi[6] | Mehboob Khan | Noorjehan, Surinder, Suraiya | Diamond Jubilee | |
| Keemat | Nazir Ajmeri | Amar, Sulochana Chatterjee, A Shah, Sharda, Badri Prasad, Sofia, Anwari, Nawab | ||
| Shahjehan[6][2] | Abdul Rashid Kardar | Kundan Lal Saigal, Ragini | Silver Jubilee | |
| Dard[2] | Abdul Rashid Kardar | Uma Devi, Suraiya | Debut of Singer Uma Devi (Comedy Actress Tuntun) in honourableness song "Afsana Likh Rahi Hoon" Silver Jubilee | |
| Elaan | Mehboob Khan | Himalaywala, Leela Mishra, Shah Nawaz | ||
| Naatak | S.
U. Sunny | Suraiya, Amar, Sofiya, Kanwar, Sham Kumar, Pratima Devi | Silver Jubilee | |
| Anokhi Ada | Mehboob Khan | Surendra, Naseem Bano, Murad, Cuckoo | Golden Jubilee | |
| Mela[6] | S. U. Sunny | Dilip Kumar, Nargis, Jeevan | Golden Jubilee | |
| Andaz[6][2][11] | Mehboob Khan | Dilip Kumar, Raj Kapoor, Nargis | Golden Jubilee | |
| Chandni Raat | Mohammed Ehsan | Shyam, Naseem Bano | ||
| Dillagi[6][2] | Abdul Rashid Kardar | Shyam, Suraiyya, Sharda, Amir Banu, Amar | Silver Jubilee | |
| Dulari[2] | Abdul Rashid Kardar | Suresh, Madhubala, Geeta Bali | Silver Jubilee | |
| Babul[11] | S.
U. Sunny | Dilip Kumar, Nargis | Also as Producer Silver Jubilee | |
| Dastan[6] | Abdul Rashid Kardar | Raj Kapoor, Suraiya, Veena, Suresh | Also restructuring Co-producer Silver Jubilee | |
| Deedar | Nitin Bose | Dilip Kumar, Nimmi, Nargis, Ashok Kumar | Golden Jubilee | |
| Jadoo[2] | Abdul Rashid Kardar | Suresh, Nalini Jaywant | Also as Co-producer Silver Jubilee | |
| Aan[2] | Mehboob Khan | Dilip Kumar, Nimmi, Nadira | Golden Jubilee | |
| Baiju Bawra[6][11] | Vijay Bhatt | Bharat Bhushan, Meena Kumari | Also as Co-producer Skin debut of singers Amir Caravansary and D.
V. Paluskar lessening the song "Aaj gaavat human race mero jhoomke" | |
| Deewana | Abdul Rashid Kardar | Suraiya, Suresh, Sumitra Devi, Shyam Kumar | Silver Holiday | |
| Amar[6][11] | Mehboob Khan | Dilip Kumar, Nimmi, Madhubala | ||
| Shabaab[6][11] | Mohammed Sadiq | Bharat Bhushan, Nutan | Silver Holiday | |
| Uran Khatola[6] | S.
U. Lukewarm | Dilip Kumar, Nimmi. | Also renovation Producer Silver Jubilee | |
| Mother India[2] | Mehboob Khan | Nargis, Raj Kumar, Rajendra Kumar, Sunil Dutt, Kanhaiyalal | Diamond Jubilee | |
| Sohni Mahiwal | Raja Nawathe | Bharat Bhushan, Nimmi | Debut medium singer Mahendra Kapoor in blue blood the gentry song "Chaand Chhupa Aur Taarey Doobey" | |
| Kohinoor[11] | S.
U. Benefit | Dilip Kumar, Meena Kumari, Kumkum, Jeevan | Golden Jubilee | |
| Mughal-e-Azam[6][2][11] | Karim Asif | Dilip Kumar, Madhubala, Prithviraj Kapoor, Durga Khote, Ajit | Film debut of singer Bade Ghulam Ali Khan in the songs "Shubh din aayo" and "Prem jogan ban ke" Diamond Jubilee | |
| Gunga Jumna[2] | Nitin Bose | Dilip Kumar, Vyjayantimala Bali | Lyrics of many songs were in Bhojpuri dialect Golden Jubilee | |
| Son of India | Mehboob Khan | Kamaljit, Kumkum, Sajid, Simi Garewal, Jayant | ||
| Mere Mehboob[2][11] | Harnam Singh Rawail | Rajendra Kumar, Sadhana, Ameeta, Ashok Kumar, Nimmi | Silver Gala | |
| Leader[2] | Ram Mukherjee | Dilip Kumar, Vyjayantimala Bali | ||
| Dil Diya Standard Liya[6][2] | Abdul Rashid Kardar | Dilip Kumar, Waheeda Rehman, Pran | ||
| Saaz Aur Awaaz | Subodh Mukherji | Saira Banu, Kanhaiyalal, Joy Mukherjee | ||
| Palki[2][11] | S.
U. Sunny | Rajendra Kumar, Waheeda Rehman, Rehman, Johnny Traveler | Also as Writer | |
| Ram Aur Shyam[2] | Tapi Chanakya | Dilip Kumar, Waheeda Rehman, Mumtaz, Pran, Nirupa Roy, Leela Mishra | Golden Jubilee | |
| Aadmi | A.
Bhimsingh | Dilip Kumar, Waheeda Rehman, Manoj Kumar | ||
| Saathi | C. V. Sridhar | Rajendra Kumar, Vyjayantimala Bali, Simi Garewal | ||
| Sunghursh | Harnam Singh Rawail | Dilip Kumar, Vyjayanthimala, Balraj Sahni | ||
| Ganwaar | Naresh Kumar | Rajendra Kumar, Vyjayantimala Bali, Nishi | ||
| Pakeezah[9] | Kamal Amrohi | Raj Kumar, Meena Kumari, Ashok Kumar | Background Score and a few songs Golden Jubilee | |
| Tangewala | Naresh Kumar | Rajendra Kumar, Mumtaz, Sujit Kumar | ||
| My Friend | M Rehman | Rajeev, Prema Narayan, Utpal Dutt, Jagdeep, Asit Sen, Tuntun | ||
| Sunehra Sansar | Adurti Subba Rao | Rajendra Kumar, Hema, Mala Sinha | ||
| Aaina | Kailasham Balachander | Mumtaz, Rajesh Khanna | ||
| Chambal Ki Rani | Radhakant | Mahendra Sandhu, Dara Singh, Chand Usmani | ||
| Dharam Kanta | Sultan Ahmed | Raj Kumar, Waheeda Rehman, Jeetendra, Reena Roy, Rajesh Khanna, Sulakhshana Pandit | ||
| Paan Khaae Sainyyan Humaar | Sujit Kumar | Sujit Kumar, Bandini, S.
N. Tripathi | Bhojpuri release | |
| Love and God | K. Asif | Sanjeev Kumar, Nimmi, Pran | ||
| Dhwani | A. Well-organized. Abu | Prem Nazir, Jayaram, Shobana | Malayalam film | |
| Teri Payal Splash Geet | Rehman Naushad | Govinda, Meenakshi Seshadri | ||
| Awaaz De Kahan Hai | Sibte Hassan Rizvi | Bindu, Annu Kapoor, Satyendra Kapoor | ||
| Guddu | Prem Lalwani | Shah Rukh Khan, Manisha Koirala, Mukesh Khanna | ||
| Taj Mahal: An Eternal Love Story[2][9] | Akbar Khan | Kabir Bedi, Sonia, Monisha Koirala | Last released work garbage Naushad, famous for songs similar "Apni Julfein" sung by Hariharan, and other songs | |
| Hubba Khatoon | Unreleased | B.
R. Chopra | Sanjay Caravanserai, Zeenat Aman | "Jis Raat Dainty Khwaab Aaye", sung by Rafi is released |
Non-film album
Producer
- Maalik () Music Director for this pick up was Ghulam Mohammed (composer)
- Uran Khatola ()
- Babul ()
- Jeevan Jyoti (, co-producer; music director for this layer was SD Burman)
- Gawaiya (, co-producer; music director for this single was Ram Ganguly)
- Yasmin (, co-producer; music director for this crust was C Ramchandra)
- Dastan ()
- Jadoo ()
Storywriter
Awards and recognition
Positions held
- President of Cine Music Directors Association
- Chairman of Amerindic Performing Rights Society
- President of Maharashtra State Angling Association
- President of Alam-E-Urdu Conference (Delhi)
- The title of Shared Executive Magistrate, Mumbai
Bibliography
References
External links
Filmfare Award for Best Music Director | |
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